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The Best Houses And What To Eat At Halloween Horror Nights Orlando

Angel Melanson
10 Terrifying Horror Collectibles You’ll Want To Take Home And Where To Find Them

Amber T
Matthew Lillard & Regal Cinemas Celebrate 30 Years Of SCREAM In A Big Way

Maggie Boccella
A PG Version Of CANNIBAL HOLOCAUST Exists, Here’s Proof [Exclusive]

Ryan Scott

Take A Trip To CRYSTAL LAKE With FANGORIA #33’s Subscriber Cover
by Maggie Boccella
FANGORIA PRESENTS: CAMP SLASHERS Is Your Ultimate Summer Horror Read
by Meredith Borders

The Latest

From The Fango Free Press

GorePlay: RESIDENT EVIL VILLAGE Is A Bizarre, Baffling Love Letter To Horror
ByDan Whitehead

Capcom’s latest grisly blockbuster stumbles and sprawls but is never boring.
Wild Women With Steak Knives: URBAN GHOST STORY
ByAlexandra Heller-Nicholas

Ghosts meet Glaswegian kitchen sink realism.
EXCLUSIVE: See A Clip From FINAL STOP
ByTony Timpone

A rideshare driver's life gets very complicated very quickly.
Dial “I” For Insecticide: The Top Ten Creepy-Crawlies in Horror
ByDiana Prince

Don't bug out – Diana's here to exterminate all of your insect horror needs.
Be(ware) The Swallowing: Black Vampires In BLADE, DEF BY TEMPTATION And SUICIDE BY SUNLIGHT
ByLea Anderson

Examining the vampire-as-other narrative and how it pertains to Black stories and characters.
Pain And Joy: A Life With NADJA Part Four
ByDavid Obuchowski

The fourth of a five-part essay examining the making of Michael Almereyda's NADJA and the author's personal connection with that film.
Original QUIET PLACE Scripter Scott Beck Talks “Elevated Horror” And The SILENCE Question
ByMichael Gingold

As we near A QUIET PLACE PART II, Mike revisits the original with one of its screenwriters.
Whoa: Sam Raimi And Bruce Campbell Reunite For EVIL DEAD RISE
ByMeredith Borders

Almost four decades after the original!
New WEREWOLVES WITHIN Trailer Asks Who’s Packing
ByMeredith Borders

The answer is everyone. Welcome to Beaverfield!
Pain And Joy: A Life With NADJA Part Three
ByDavid Obuchowski

The third of a five-part essay examining the making of Michael Almereyda's NADJA and the author's personal connection with that film.

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