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THE EXORCIST: MARTYRS Is Unlike Any Other Exorcist Movie, Says Mike Flanagan

BJ Colangelo
Cassandra Peterson Explains Why Kids Need Horror Like R.L. Stine’s Pumpkinhead 2

BJ Colangelo
Take A Halloween Holiday With These 5 New International Horror Releases

Samantha McLaren
SLASHER TRASH Digs Into the Underdiscussed Underbelly of Slasher Cinema

BJ Colangelo

The Kaiju King Reigns Supreme Over FANGORIA #33 Newsstand Cover
by Amber T
FANGORIA PRESENTS: CAMP SLASHERS Is Your Ultimate Summer Horror Read
by Meredith Borders

The Latest

From The Fango Free Press

Watch The Official WELCOME TO THE BLUMHOUSE TRAILER
ByAngel Melanson

First teaser trailer for the upcoming Blumhouse and Amazon two-night event.
Video Nasties: EVIL ED And CENSOR(ship)
ByAndy Crump

Censorship in Anders Jacobsson's EVIL ED, Prano Bailey-Bond’s CENSOR and beyond.
Watch Donator’s “Lover’s Leap” Folk-Horror Inspired Music Video Premiere
ByAngel Melanson

The skulls and florals are in abundance in this gorgeously gruesome music video.
Beautiful Beast: AN AMERICAN WEREWOLF IN LONDON at 40
ByRich Johnson

When a nine-year-old witnesses a man torn to pieces…
When Memorable Horror Villains Become Horror Protagonists
ByLisa Laman

Why do so many iconic chilling adversaries get turned into cozily familiar protagonists?
The Eyes Have It: What Makes The Monster From AN AMERICAN WEREWOLF IN LONDON Really Scary
ByCharlie Brigden

A look into the monstrous alter-ego of David Kessler and why it's so terrifying.
Exclusive: Convo x Fango With CHAPELWAITE Producers
ByAngel Melanson

What's in store for us in this brand new Stephen King adaptation?
Music To Be Scalped By! THE STYLIST Score Now On Vinyl
ByAngel Melanson

Nicholas Elert's score now available on three-color marble effect vinyl.
Popcorn Frights Winners Include SUPERHOST And HOWLING VILLAGE
ByAngel Melanson

There's still time to watch select films virtually, through extended on-demand programming.
Technology and Trauma: Neill Blomkamp and Carly Pope Discuss Demonic
ByTodd Gilchrist

The technophile director and his 'preparedness junkie' star discuss how they used volumetric capture to explore deep-rooted emotions — and great scares.

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