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Leslie Vernon Will Officially Return In BEHIND THE MASK II – Here’s What We Know

Amber T
TALES FROM THE CRYPT Is Coming To Streaming For The First Time Ever

Maggie Boccella
Nicolas Winding Refn’s HER PRIVATE HELL Sounds Like THE MIST With Added Glitter

Amber T
FACES OF DEATH Review: F*** A Retread, This Is Who We Are Right Now

Kimberly Leszak

The Latest

From The Fango Free Press

See CARRIE in the Gymnasium Where It All Went Down
ByPhil Nobile Jr.

This summer, On Set Cinema is inviting you to the prom - BYO pig blood.
THE TERROR TELEVISION February 18, 2022
ByAngel Melanson

TEXAS CHAINSAW MASSACRE, NOPE, X subscriber cover reveal and more!
The Gingold Files: February 21, 2022
ByMichael Gingold

We've reached deep into our archives to uncover the long lost work of a FANGORIA legend.
SWAMP THING: Roots of Horror
ByRich Johnson

Released 40 years ago today, Wes Craven's B movie was an entirely different 'thing' to what followed in the pages of the groundbreaking comic book.
STUDIO 666 Red Band Trailer Has The Foo Fighters Bringing The NSFW Horror Goods
ByRyan Scott

Dave Grohl and the Foo Fighters are adding feature-length horror to their resume with STUDIO 666, which hits theaters next week.
Let’s Get Weird With It: An Unseen TEXAS CHAINSAW MASSACRE From Chop Top Himself!
ByBrian W. Collins

Cutting into the Bill Moseley penned treatment for a would-be sequel we haven't seen... yet.
Exclusive: THE LONG WALK Alternate Poster And Behind-The-Scenes Photos
ByAngel Melanson

Now in theaters!
MOON KNIGHT Directors Lead Writing Roster of Upcoming Horror Miniseries SKYBOUND PRESENTS AFTERSCHOOL
ByRyan Scott

Justin Benson and Aaron Moorhead are leading the way for Skybound's new horror comic AFTERSCHOOL, which hits stands this summer.
Werewolves And Thirty Pieces Of Silver: Watch This Exclusive Clip From THE CURSED
ByAngel Melanson

THE CURSED is now in theaters, take a sneak peek here.
Let’s Score Todd To Death: February 2022
ByTodd Gilchrist

From making music for films that don't yet exist, to CARRIE, and injecting synthesizers like daggers into baroque compositions. This month the column gets weird.

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