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Ryan Coogler’s X-FILES Reboot Adds Amy Madigan, Steve Buscemi & More

Maggie Boccella
DIRECTIVE 8020 Introduces New Turning Point Feature And It’s A Game-Changer

George Yang
Jason Voorhees Finally Returns In October As CRYSTAL LAKE Sets Release Date

Amber T
The Horror Collective’s LAST CHANCE MOTEL Reunites 3 Generations Of Scream Queens

Maggie Boccella

The Latest

From The Fango Free Press

WAXWORK RECORDS Presents Danny Elfman’s SLEEPY HOLLOW
ByAngel Melanson

Elfman's score on vinyl for the first time ever! And it's Waxwork, so you know it's gonna be gorgeous.
In Memoriam: Jeff Barnaby
ByPhil Nobile Jr.

The BLOOD QUANTUM director has died at 46.
Heads Up, Horror Fans: HALLOWEEN ENDS Is Streaming On Peacock
ByRyan Scott

HALLOWEEN ENDS is in theaters and also streaming this weekend for those who wish to watch Michael and Laurie face-off from the comfort of home.
Netflix’s THE BASTARD SON & THE DEVIL HIMSELF Gets Witchy New Trailer
ByAmber T

The YA-horror-fantasy series will premiere on October 28th.
Culinary Creeps: Check Out Stills And Trailer For ’70s Set Short THE RECIPE
ByAmber T

Cameron Holly Dexter's short will premiere this Friday at Screamfest.
PIGGY Comes Home: Watch This Exclusive Clip From Carlota Pereda’s Bloody Thriller
ByAngel Melanson

Fantastic Fest Best Horror Winner is coming to theaters and on demand this weekend.
When The Show’s Over, The Real Horror Begins: Welcome To HELLBILLY HOLLOW!
ByAngel Melanson

Catch an exclusive presentation and panel this weekend at Son of Monsterpalooza.
THE MIDNIGHT CLUB’s Mike Flanagan Talks Jump Scares, His First College Try At A CLUB Script And More
ByMichael Gingold

Plus, a (begrudging) world record.
SMILE Quickly Scares Up $100 Million At The Global Box Office
ByRyan Scott

Paramount Pictures has a huge hit on its hands in SMILE, which has already amassed $100 million in ticket sales.
The Magic’s In the Mouth Sounds: THE INVITATION Composer Dara Taylor Interview
ByAngel Melanson

From the scraping of ceramics to recording strange solo scratch tracks, Taylor discusses layering all the elements into a beautiful gothic horror score.

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