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The Pleasure And Pain Of Revisiting The Entire HELLRAISER Franchise

Reyna Cervantes
ZOMBOIS: Our Exclusive First Look at the Outrageous Gay Zombie Horror-Comedy

BJ Colangelo
REVIEW: RUBBERHEAD: THE LIFE & MONSTERS OF STEVE JOHNSON Is A Delightful Portrait of a Practical Effects Legend

BJ Colangelo
SONS OF ANARCHY Stars Ron Perlman And Theo Rossi Talk Secret Horror Movies And Saving Cinema

Vivi Estaris

The Kaiju King Reigns Supreme Over FANGORIA #33 Newsstand Cover
by Amber T
FANGORIA PRESENTS: CAMP SLASHERS Is Your Ultimate Summer Horror Read
by Meredith Borders

The Latest

From The Fango Free Press

SCREAM’s Stu Macher Is “Definitely Alive” Says Star Matthew Lillard
ByAmber T

The horror icon says he would love to return for SCREAM 7, if director Kevin Williamson is also down.
GODZILLA MINUS ONE Director Wants To Remake A Weird Kaiju Classic
ByRyan Scott

Takashi Yamazaki wants to see Hedorah brought to life with modern technology.
Is Christopher Nolan Finally Making A Horror Movie?
ByAmber T

Rumors suggest the Oscar winner’s follow up to OPPENHEIMER will be a 1920s-set vampire tale.
Review: THE MACHINIST
ByMichael Gingold

An archive review from The Gingold Files.
The IN A VIOLENT NATURE Blu-Ray Is Even Better Than The Movie Itself
ByRyan Scott

Director Chris Nash’s inventive slasher gets the physical release it deserves.
A Scream Queen Finds Love In New YOUR MONSTER Poster
ByMaggie Boccella

The film hits theaters on Friday.
Sink Your Teeth Into This New Audio Drama That’s Perfect For Halloween
ByMaggie Boccella

The first five episodes of CLAWMOOR HEIGHTS are available now.
SILENT HILL 2: How Does Bloober’s Remake Stack Up Against The Original?
ByAmber T

With over a million copies sold in its first week, we have a bonafide hit - but will it persuade the doubters?
5 One-And-Done ’80s Slasher Movies That Are Ripe For A Reboot
ByRyan Scott

From cult classics to little-seen gems, these movies are ready to make a comeback.
OUT THERE: Netflix Lands Sci-Fi Thriller From 10 CLOVERFIELD LANE Editor
ByAmber T

Stefan Grube's directorial debut is said to be in the vein of A QUIET PLACE and CLOVERFIELD.

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