Be(ware) The Swallowing: Hungry Homes In THE TEXAS CHAIN SAW MASSACRE And HOUSE
Not all homes are haunted — some are hungry.
Be(ware) The Swallowing: Body Snatchers in SPELL, GET OUT, & HAIR WOLF
Diving into the realm of the interior with a consumption of the Self occurring at the psychic level.
MASTER Is About More Than White Terror: An Interview With Mariama Diallo
Injecting the Black gaze into the cinematic medium.
NANNY And Malleable Horror: A Conversation With Sundance Grand Jury Winner Nikyatu Jusu
Incorporating African folklore for a celebration of the beauty and brilliance of the African diaspora.
Be(ware) The Swallowing: Werewolves In THE BEAST MUST DIE And GINGER SNAPS
The shift in the pathology of werewolf transformation (and appetite) through the ages.
MASTER Gives New Meaning To Dark Academia
Mariama Diallo's Sundance debut feature.
Be(ware) The Swallowing: Devouring Children And Fear Of The Future
Ravenous children in IT’S ALIVE, GOOD MANNERS, and BRIDE BEFORE YOU.
Be(ware) The Swallowing: BLOOD QUANTUM
Acts of heroism are simultaneously always acts of monstrosity.
What Black Horror Has Been, And What It Can Be: Tananarive Due On Shudder's HORROR NOIRE
"There are as many kinds of Black horror as there are kinds of horror, period."
Be(ware) The Swallowing: Black Vampires In VAMPIRE IN BROOKLYN, VAMP And QUEEN OF THE DAMNED
Part Two: Examining the vampire-as-other narrative and how it pertains to Black stories and characters.
Be(ware) the Swallowing Nature Bites Back: FROGS and the Ecophobic White Imagination
The fusion of absurdist ecohorror with Southern Gothic.
Be(ware) The Swallowing: When White Girls Eat Each Other
Homoerotic cannibalism in THE NEON DEMON, JENNIFER'S BODY and RAW.
Terror Teletype
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