Restored, Uncut, Original “GODZILLA” Playing Cinemas this Spring
Just ahead of Gareth Edwards’ highly anticipated redo, masters or repertory Rialto Pictures will be rolling Ishirô Honda’s seminal, original GODZILLA out to theaters uncut and restored.
The essential film from Toho and director Honda gave birth to the King of Monsters, while soberly addressing an atmosphere of nuclear threat. The result was a classic film and a legacy of Godzilla and monster pictures that carries on to present day. It’s a necessary experience and one you can have beginning April 18-24 at New York City’s Film Forum. From there, the film hits Sante Fe, Portland, Seattle, Houston, Lexington and Columbus.
For more, visit Rialto Pictures. You can see the full press release, as well as re-release trailer and poster, below.
A new restoration of GODZILLA: THE JAPANESE ORIGINAL, the monster classic that has spawned six decades of sequels, imitations, and remakes, will debutApril 12 at the fifth TCM Classic Film Festival in Hollywood, followed by a national release beginning at New York’s Film Forum, April 18-24.
GODZILLA was originally released here in 1956 as Godzilla: King of the Monsters, an atrociously cut, dubbed and re-edited version that inserted American actor Raymond Burr into the action; only an hour was used of the original’s 98 minute running time. Burr does not appear in the original, uncut version, which has an all-Japanese cast including Kurosawa regular Takashi Shimura, who the very same year appeared as leader of the Seven Samurai.
As directed by Ishirô Honda, with special effects by the legendary Eiji Tsuburaya, GODZILLA: THE JAPANESE ORIGINAL is much darker in tone than the dumbed-down U.S. release version, which entirely eliminated the original’s underlying theme: in the Japanese version, the monster is clearly a metaphor for the nuclear menace and the film itself a cry for world peace and disarmament. The American version also cut out all of the original’s astonishing Strangelove-like black humor.
The original GODZILLA holds up as one of the greatest science fiction/monster films ever made, boasting still-impressive special effects, as the radiation-breathing prehistoric monster, awakened after millennia by Hydrogen Bomb testing – and impervious to repeated shelling by the Japanese army – wreaks destruction on Tokyo.
GODZILLA became Toho Studio’s #1 box office hit of 1954 (its #2 that year was Seven Samurai) and was so popular worldwide that the company has since produced nearly 30 sequels and remakes; a statue near Toho headquarters in Tokyo pays tribute to their most valuable property. In 1984, the prestigious film journal Kinema Junpo rated it among the top 20 Japanese films of all time. In 1989, a published survey of 370 Japanese movie critics, Nihon Eiga Besuto 150 (Best 150 Japanese Films), ranked Godzilla the 27th greatest Japanese feature ever made.
A new American version of Godzilla from Warner Bros. and Legendary Pictures, directed by Gareth Edwards (2010’s Monsters), will be released nationally May 16.