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    Toys of Terror #9

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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  • First Series Trailer Brings Guillermo del Toro and Chuck Hogan’s “THE STRAIN” to Life

    FX is no stranger to the endless tease. Each season of AMERICAN HORROR STORY has been heralded by countless mini clips, stylish and specially crafted around the season’s theme. The highly anticipated upcoming adaptation of Guillermo del Toro and Chuck Hogan’s novel THE STRAIN has been no different, if a little frustrating. Small teases, while undeniably neat have taken what seems like forever to give way to actual footage from the series, which you can finally see below.

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  • GWAR to Open Richmond-based GWARbar!

    Following the untimely passing of GWAR frontman Dave Brockie, fans wondered what’s next. Soon after, the band and his surviving family established the Dave Brockie Fund to help preserve the singer’s lesser-known work and commemorate his image in his hometown of Richmond, Virginia. Now, GWAR has officially announced their latest venture in order to fulfill one of Brockie’s last wishes as their frontman: to create the definitive GWAR dining experience, the GWARbar!

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    Fango Flashback: “SORCERER” (1977)

    Following years of distribution limbo, William Friedkin’s 1977 box-office misfire SORCERER finally sees the light of day again this spring, beginning with a special one-week engagement (in a DCP restoration overseen by the director) at New York City’s Film Forum (209 West Houston; [212] 727-8110) from May 30 to June 5. Of his celluloid catalogue, Friedkin considers SORCERER his most accomplished work (he says he wouldn’t change a frame), better than his THE FRENCH CONNECTION and THE EXORCIST! You can judge for yourself when the thriller, a remake of Henri-Georges’ Clouzot’s French classic THE WAGES OF FEAR, burns up repertory houses decades after its initial debut.

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    FANGORIA & Scream Factory’s NYC “SLEEPAWAY CAMP” Screening Recap!

    When walking into New York City’s Cinema Village last Monday, May 19th, any horror fan could tell you there was palpable excitement in the air. After all, one of the ’80s most treasured slasher gems, SLEEPAWAY CAMP, was going to be unveiled to anxious fans for the first time in high definition, courtesy of FANGORIA and Scream Factory. While devotees of the film knew the twists and the turns that would play out before them, there was certainly some real life developments that none of us could have predicted.

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    Trailer Debut: The Badilla Brothers’ Chilean Neo-Giallo “MALDITO AMOR”

    This past March brought the teaser of MALDITO AMOR, Gonzalo and Sebastián Badilla’s horror-comedy that’s equally influenced by 80s high school pictures as it is gialli, and one of the many reasons to be excited about the burgeoning genre scene in South America. Specially crafted as an announcement, that clip revealed the playful humor inherent to the production, but little else. FANGORIA is excited then to reveal the first footage from the film in its lengthy international trailer.

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    From the FANGORIA Vault: “THE BROOD”

    Horror has taught many lessons to those of us who’ve grown up with the genre, but few have been as poignant as “family first.” After all, we’ve all seen the handiwork of THE BRIDE OF FRANKENSTEIN, SON OF DRACULA and more than a fair share of cannibalistic clans. Yet here at the FANGORIA Vault, we do know that family doesn’t always last forever, and in those cases, the claws can come out. And luckily for us, we’ve uncovered the perfect example with these rare shots from David Cronenberg’s broken family frightener THE BROOD!

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    Q&A: Pat Healy & Ethan Embry on “CHEAP THRILLS”; Win a Blu and Mondo Poster!

    There’s a reason we’re still talking CHEAP THRILLS, and have been for over a year now. From its world premiere at SXSW, the small, stylish, thoughtful feature debut from Evan Katz was immediately recognized as something special. It’s a biting film, both hilarious and horrifying in equal measure and not unwilling to slap anyone in its vicinity. As the film arrives on DVD & Blu-ray, primed for endless revisits where it loses zero effect—the sound design on the finger chop is always that stark—FANGORIA finishes our talks with the film’s principal cast.

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