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    EXCL Stills: Indie Horror Flick, “LATE NIGHT DOUBLE FEATURE”

    As Fango previously reported, Canadian indie horror anthology LATE NIGHT DOUBLE FEATURE is currently in production in Toronto. The brainchild of producer and occasional Fango scribe Kelly Michael Stewart (award-winning short ONE MORE FOR THE ROAD), the film is an amalgam of two short shockers helmed by young filmmakers Zach Ramelan (DEAD RUSH) and Torin Langen (FONDUE) with a wraparound from ONE MORE FROM THE ROAD director Navin Ramaswaran, all based around the concept of a late night horror host show turned terribly malevolent.

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    “ITTY BITTY HELLBOY” (Comic Review)

    From fighting Nazi abominations to beating up witches to going to Hell itself, HELLBOY has seen and done it all. But there’s one thing even Big Red wasn’t prepared to do: protect his cardboard fortress from the villainy of Dr. Karl Kroenen! Miniaturized for tiny hands, ITTY BITTY HELLBOY shows lighter sides of the grim demon spawn as he goes on ridiculously fun adventures the whole family can get into. A solid introduction to comics for young readers, this new collection mixes together the quirky humor of the Sunday funnies with the established characters of the HELLBOY universe, making this a great read for fans across the board.

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    Keep an Eye Out: The Five Best from SXSW

    It’s not as if confinement as a motif is rare, especially in low budget, independent and horror cinema. You know:  movies making the most of one location that can’t afford to get the fuck out (eventually taking up plenty of space in film festivals in the process). It still plays like a dark joke however to see confinement in films when you yourself are pulling four-five movie days in a dark theater. At least the three major housebound (one of them is called HOUSEBOUND) genre titles at the 2014 SXSW film festival were some of the best the fest had to offer, all while varying greatly in style, theme, tone, ponytail bounce and bleak worldview.

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    Q&A: Billy Zane on Horror Roles Past and Present

    Whether it be as ruthless, manipulative villains or as handsome, smooth-talking protagonists, there’s few actors who bring as much natural charisma and dedication to their genre roles as Billy Zane. After capturing the attention of international audiences with his turn in DEAD CALM, Zane has proven himself to be a universal asset to multiple genre productions, whether it be a comic turn such as TALES FROM THE CRYPT: DEMON KNIGHT or more esoteric and mysterious like TWIN PEAKS. As his reputation as a solid genre performer continues to grow, Zane spoke to FANGORIA about his past horror successes as well as what dark corners he just might explore further down his career trajectory…

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    Denis Villenueve’s “ENEMY” (Movie Review)

    Lynchian, as a term, is often used as synonymous with something that’s simply weird. Specifically though, the director’s surreal visuals balloon not out of randomness or an overly complex plot, but a basic idea; a core emotion. It’s the frightening pictures and strange scenarios that manifest in your subconscious as a result of our fundamental anxieties that Lynch and Lynchian works are tapping into. To that end, Denis Villenueve’s ENEMY is entirely so (and that’s aside from the presence of Isabella Rossellini). A story of undeserved malaise and the old adage, “once a cheater, always so,” the film uncomfortably hangs above the audience just as a massive spider looms above Toronto in its main character’s nightmares.

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