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    Mondo Reveals “SHINING” Apparel in Ultra Neat MONDO 237 Collection

    Mondo, the collectible arts arm of the Alamo Drafthouse has made a name for itself with custom, often stunning and officially licensed poster art that sells out fast. Of course, they’ve moved into Vinyl and VHS since, but the lauded company got its start with apparel. Getting back to its roots, with some of the limited, singular flair they’ve acquired since, Mondo presents MONDO 237, a line of knitwear and home accessory emblazoned with every horror fan’s favorite carpet pattern. 

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    Zombie Activists Attack in First Scene from BBC’s “IN THE FLESH” Season Two

    BBC America’s IN THE FLESH has, alongside French series THE RETURNED, garnered acclaim for being one of the more novel pieces of undead fiction in the current, oversaturated climate. The series’ first season took an interesting look at a post-zombie apocalypse in which those transformed were being rehabilitated and assimilating back into society, with plenty of social commentary-informed bumps along the way. Season Two premieres this month and opens with an attack by the Undead Liberation Army and marks the first instance in which I ever took something like the term “zombie terrorists” seriously.

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    Exclusive Texas Frightmare Q&A: Robert Patrick

    Genre-friendly actors are far too often typecast, capitalizing on their animated brand of villainy as to keep work as steady as possible. Once a performer breaks out of such however, there’s a certain freedom in the limited roles that don’t inhibit creativity and ambition. Perhaps it’s this reason why Robert Patrick, whose villainy played out in front of millions in TERMINATOR 2, was able to find such success by exploring his possibilities where you’d least expect it.

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    “BLOOD GLACIER” (Movie Review)

    You’d have to search far and wide for a genre filmmaker not influenced by John Carpenter, and more specifically THE THING. The legendary filmmaker’s arctic account of an assimilating, parasitic lifeform is a masterpiece of paranoia and puppetry, deftly blending looming atmosphere and existential angst with holy shit creature FX. Post-THE THING, the ensuing struggle between filmmaking and fandom, which is arguably a hurdle for horror filmmakers more than any other type, often leaves little else besides the impact and homage. A pleasant surprise then, that Austrian director Marvin Kren’s similarly snowbound creature feature BLOOD GLACIER isn’t just the sum of its favorite films.

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  • Toys of Terror #6

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Horror Hero Dr. Mikel Koven Brings Terror to the Toronto Jewish Film Festival

    Dr. Mikel Koven is a fascinating fellow. Born in Toronto and based in the UK, Dr. Koven has made the academic study of horror and dark fantasy films his life’s work, penning such badass books as 2010’s BLAXPLOITATION FILMS, a thorough study of the vital exploitation subgenre and 2006’s LA DOLCE MORTE, reflection and analysis of the giallo film. He teaches, lectures, provides research for such hit supernatural programs as HBO’s TRUE BLOOD, and he serves as the President of the International Society of Contemporary Legend.

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    EXCL Images: Snowbound Creature Feature, “BLOOD GLACIER”

    Out this Friday on VOD and in select theaters via IFC Midnight is Marvin Kren’s snowbound creature feature, BLOOD GLACIER (aka The Station). Clearly in the vein of the Antarctic-set John Carpenter classic THE THING, BLOOD GLACIER manages to be more than the sum of its influence, and ends up altogether an atmospheric, pulpy and very fun mash of practical, hybrid animal monsters. Fango has two exclusive images to share from the film, in anticipation of its debut. 

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    EXCL: Bill Moseley to play Doctor in Body Horror, “LOVE SICK”

    Based on ABCs OF DEATH competition entry “M is for Marriage,” Todd Freeman’s budding feature LOVE SICK is amassing quite the cast. Already featuring the leading talents of Francisco Barreiro (HERE COMES THE DEVIL) and AMERICAN MARY standout Tristan Risk, as well as Barbara Crampton, Freeman has given Fango word that horror icon Bill Moseley (pictured, above) will also be seen as the crucial Dr. Christian.

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    Q&A: Randy Moore on “ESCAPE FROM TOMORROW”

    One of the most controversial films to debut out of 2013’s Sundance Film Festival, ESCAPE FROM TOMORROW has captured the attention of cinephiles around the world as the first genre film to shoot without permission in Disneyland. While many expected Disney to come after the surreal, creepy dark comedy with guns a-blazin’, specialty distributor PDA picked up ESCAPE FROM TOMORROW for the world to see and without as much as a cease-and-desist. As the film hits DVD and Blu-ray, director Randy Moore spoke to FANGORIA about what inspired this nightmarish film and why it could only take place on such iconic grounds…

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    First Poster, Images: Alex de la Iglesia-Produced, “SHREW’S NEST”

    As Fango reveals the official U.S. date for the beloved cult director’s latest, WITCHING & BITCHING, news comes in a new venture for the filmmaker: producing. de la Iglesia will be presenting the first feature from Juanfer Andrés and Esteban Roel, an apartment-based tale of an agoraphobic woman titled SHREW’S NEST (Musarañas).

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