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  • Shadowvision: “HALLOWEEN” (1978)

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    First Clip: Post-Apocalypse Drought Thriller, “THE WELL”

    There are myriad reasons why the post-apocalypse has been popular in contemporary genre, but on a personal level, I think it’s because audiences like to ask themselves what they might do confronted with such a situation. I, on the other hand, am far too concerned with what I would wear. And that’s one of the reasons to highlight this first clip from Tom Hammock’s THE WELL, a post-apocalyptic indie making its premiere at next month’s Los Angeles Film Festival: the villain of the excerpt gets pretty rad with his post-humanity attire. 

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    Toys of Terror #8

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    UK’s Cigarette Burns Cinema to Host Rare Screening of “BLUE SUNSHINE”

    Cigarette Burns Cinema is a UK outfit dedicated to programming thrilling and often rarely screened cult and horror gems on screens across London, and do so only on 16 and 35MM. One such upcoming event is the latest in what seems like an international, well-deserved revival and appreciation of the films of director Jeff Lieberman (SQUIRM, JUST BEFORE DAWN): a 35MM screening of BLUE SUNSHINE, the first of its kind in the UK in many years. 

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    Q&A: Dwight Little on the Season Finale of “FROM DUSK TILL DAWN: THE SERIES”.

    Robert Rodriguez has spared no expense in maintaining the cinematic scale of the El Rey Network’s first scripted original series, employing the likes of Eduardo Sanchez, Fede Alvarez and Greg Nicotero to help bring the rich world of FROM DUSK TILL DAWN: THE SERIES to life. Yet for the final episode of FROM DUSK TILL DAWN’s first season, Robert Rodriguez needed a very unique breed of filmmaker; one who is not only experienced in horror, but also action and television. Unsurprisingly, Rodriguez turned to Episode 6 and HALLOWEEN 4 helmer Dwight Little with the responsibility of closing the curtain on the first season. Little spoke with FANGORIA about entering the world of FROM DUSK TILL DAWN and having freedom on a very unique production…

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    From the FANGORIA Vault: “NOSFERATU THE VAMPYRE”

    There’s a saying I think many horror fans would agree on: “The freaks come out at night.” In the rising warmth of our summer evenings here at the FANGORIA vault, I cannot blame them. After all, with the midnight movies, sketchy 24-hour diners and night adventures onto supposed haunted territory, what’s fun to do in the daylight anyways? Aside from that, there’s a certain beauty in the darkness that is overlooked by such generalities, and no fright film does a better job at capturing that beauty as much as Werner Herzog’s nightmarish NOSFERATU THE VAMPYRE, a/k/a NOSFERATU: PHANTOM DER NACHT. Luckily for you all, FANGORIA has some eye-widening rare stills from Herzog’s eerie epic below!

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