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    “DAMIEN” Will Bring “THE OMEN” to Television for New Series

    THE OMEN finds itself the latest piece of horror history re-fashioned for television, following the likes of HANNIBAL, BATES MOTEL and the recently concluded ROSEMARY’S BABY miniseries. Glen Mazzara, who immediately succeeded Frank Darabont as showrunner of THE WALKING DEAD will bring DAMIEN to Lifetime Network, where the show will follow an adult Damien Thorn facing his destiny.

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    “HALLOWEEN: THE COMPLETE COLLECTION” Blu Set to hit September!

    Uniting every HALLOWEEN film in one set always seemed improbable. With rights spread between Anchor Bay, Shout! Factory and The Weinstein Company, the likelihood of tidily owning every venture (whether it featured Michael or not) was small. You may have guessed that’s until now. Anchor Bay and Shout! Factory have teamed on something seemingly unprecedented and surely exciting: HALLOWEEN: THE COMPLETE COLLECTION, which will not only boast every film to bear the HALLOWEEN name, including Rob Zombie’s pictures, but the first official release of the famed “Producer’s Cut” of HALLOWEEN: THE CURSE OF MICHAEL MYERS.

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    Director Mattie Do Crowdfunding Laos’ Second Horror Film, Ever

    Last year, Mattie Do broke new ground. Having its American premiere at Austin’s Fantastic Fest, her film CHANTHALY was the first horror film to come out of Laos, the country bordering China, Burma, Vietnam, Thailand and Cambodia that’s slowly developing a national cinema and which has only produced something like a dozen feature films since its revolution in 1975. Do became the country’s first female director and thrillingly broke through with a genre picture (it was also the first Laos film to screen at a fest outside of Southeast Asia). Fortunately, she hasn’t lost a taste for blood.

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    “COURTNEY CRUMRIN: THE WITCH NEXT DOOR” (Comic Review)

    Despite the current success of young reader titles such as ITTY BITTY HELLBOY and KISS KIDS, it felt for a long time there were very few comics not aimed at adult audiences. Even fewer of those were horror. Fortunately, there were works such as COURTNEY CRUMRIN to help pick up the slack. Since first hitting shelves in 2002, the once “limited” series has expanded to four volumes, with a fifth collection, COURTNEY CRUMRIN: THE WITCH NEXT DOOR now hitting shelves (and a sixth on the way). Centered on a grumpy teen who finds herself imbued with magic thanks to her eccentric uncle, the series is a delightfully gothic work that dives deep into dark folklore and explores the hidden depths of the unseen world.

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    Caption Contest Results: 05/12 – 5/16

    FANGORIA fanatics! If you’re one of the thousands who follow us on Twitter, you’re likely familiar with our daily Caption Contests! And now, due to the overwhelmingly positive response, we’re going a step further and highlighting the best entries of the week for the world to see! So without further adieu…

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    First Clip: Ryan Gosling’s Directorial Debut, “LOST RIVER”

    We’ve been keeping a close eye on the journey of Ryan Gosling’s directorial debut, LOST RIVER. From its description as something of a surreal, horror-fantasy-noir to the actor’s inspirations and influences (from Lynch to Refn) to the inclusion of the beloved Barbara Steele, much about the film seems curious and worth anticipating. Now, as the film is set to premiere this week at Cannes, a first teaser clip has arrived and LOST RIVER’S strange vibe is on full display.

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    Q&A: Max Borenstein on his approach to “GODZILLA” & “GODZILLA: AWAKENING”

    Today, GODZILLA returns to the screen. But the new iteration of the King of the Monsters has already been on shelves for a week or so, as screenwriter Max Borenstein and co-author Greg Borenstein saw to whet our appetites for monster mashing in a prequel graphic novel titled GODZILLA: AWAKENING. Expanding on the 1954 incident only briefly touched on in Gareth Edwards’ new film, AWAKENING accompanies the blockbuster both in mayhem and theme, as characters both on the page and in the cinema try to reconcile their beliefs, acceptance and reactions to a world of giant creatures. Fango spoke to Max Borenstein about the book and what exactly Godzilla represents in the modern world.

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