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  • Exclusive Entertainment Earth Giveaway: Win A Mega-Scale Talking Chucky Figure!

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    Several weeks ago, FANGORIA surprised our readership with announcement of our partnership with the exceptional online marketplace Entertainment Earth to provide weekly giveaways of chilling collectibles. And with the sun setting on our latest contest, FANGO and EE have our next gruesome giveaway all ready for your petrifying participation!

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  • FANGORIA Podcast Network: “THE HORROR SHOW” Hops Into “NIGHT OF THE LEPUS”!

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    While most remember Joe Bob Briggs as the benevolent cable TV king of “What The Hell?” horror, fright fans often take for granted how much punishment the horror host could take. And in this week’s MONSTERVISION tribute from THE HORROR SHOW, Sean and Joe share his pain when they tune into the notorious ’70s horror offering NIGHT OF THE LEPUS!

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  • Mitski Goes Macabre In Shocking New Music Video, “Happy”!

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    Perhaps unsurprisingly, horror themed music videos have become more and more of a regularity. That could be a result of the visions of those involved, many of which turn towards the surreal and emotionally taut, or it could be the result of horror being something that can evoke a visceral response in a viewer, much like music itself. And in some cases, it’s because it’s what audiences might least expect, such as in the case of singer/guitarist Mitski new music video for the track “Happy,” from her upcoming album PUBERTY 2.

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  • Subversive Slasher Spin “LAST GIRL STANDING” Acquired by Dark Sky Films!

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    After catching the fright flick at the New York City Horror Film Festival, this writer knew that Benjamin R. Moody’s LAST GIRL STANDING was a film to keep an eye on. Since then, the film has become a horror fest favorite, and recently played to an incredibly receptive audience at the FANGORIA-sponsored Texas Frightmare Weekend. Yesterday, however, news broke that LAST GIRL STANDING will soon be creeping into the homes of fright fans ever as the flick has been officially acquired by Dark Sky Films!

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  • Q&A: Director/Actor Robert Chapin on His YouTube-Spawned Vampire Actioner “THE HUNTED”

    Here’s a relatively little-known fun fact: one of the longest-running series on the Internet concerns vampires with swords. Created in 2000 by Robert Chapin, THE HUNTED has spawned over 100 episodes made by people all over the world, available on THE HUNTED’s YouTube channel. Now, THE HUNTED has been made into a feature, directed by Chapin himself (who also gets story credit), written by Tex Wall and Andrew Helm, and currently available on Vimeo.

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  • FANGORIA Podcast Network: “THE RANTS MACABRE” Tunes In To Radio Horror!

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    Before the days of HANNIBAL and THE WALKING DEAD, horror hounds used to find their frights on the airwaves via radio plays, serialized thrillers and more. While horror on the radio still exists to this day- TALES FROM BEYOND THE PALE, FANGO’s own THE PUMPKIN PIE SHOW, etc.-, it certainly isn’t how it used to be since the days where Orson Welles’ WAR OF THE WORLDS broadcast unleashed mass hysteria upon the U.S. Yet in horror fiction, the dream of radio horror still exists, and in the latest episode of THE RANTS MACABRE, things get meta as our horror hosts tune into some broadcasted brutality!

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  • Exclusive Announcement: Aurelio Voltaire joins “DEVIL’S CARNIVAL” follow-up “AMERICAN MURDER SONG”!

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    Going back to the days of FANGORIA Radio, Goth personality and horror fiend Aurelio Voltaire has been a friend to all things FANGO! From his appearances in fright flicks to his massively successful conventions to his acclaimed records, Voltaire’s twisted sensibility has reached a massive audience over the years. Now, that audience looks to grow even bigger as FANGORIA is excited to announce that the artist will be joining AMERICAN MURDER SONG, the latest endeavor from THE DEVIL’S CARNIVAL masterminds Terrance Zdunich and Saar Hendelman!

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  • NY/NJ! Win A Mondo LP at Alamo Drafthouse Yonkers “PET SEMATARY” Screening Next Week!

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    When it comes to Stephen King adaptations, very few resonate with as much creepy purpose as PET SEMATARY, Mary Lambert’s terrifying take on grief, loss, resurrection and consequence. But as much as the film can inspire goosebumps with the likes of Undead Gage or Zelda, the film is equally notable for its sinister soundtrack. Of course, The Ramones’ title track from the film broke big in a way that few horror anthems ever have, but Elliot Goldenthal’s score adds that extra taste of Southern Gothic terror to the proceedings as well. Luckily for NY/NJ horrorheads, Alamo Drafthouse Yonkers is not only offering the chance to catch PET SEMATARY on the big screen next week, but one luckily attendee will be going home with Mondo’s PET SEMATARY vinyl LP!

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  • Nicolas Winding Refn Announces ‘Remake Trilogy’ with Vincent Price, Giallo Classics!

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    For this writer, one of the most highly anticipated horror offerings of 2016 is Nicolas Winding Refn’s THE NEON DEMON, which has already polarized audiences at the typically genre-unfriendly Cannes Film Festival. Hitting theaters next month, it will be Refn’s first tried-and-true entry into the horror genre, even if his filmography has long touched upon the themes and atmosphere of horror, but with the news breaking last week, it’s sure to not be his last. That’s because- in addition to his previously announced MANIAC COP remake- Refn has added two more horror classics to his slate of upcoming remakes on which the demented Danish filmmaker will serve as executive producer, according to Deadline.

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  • “BATES MOTEL: Season 4, Episode 10” (TV Review)

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    Despite Norma looking very much deceased in last week’s episode, it was still debateable whether or not she was truly dead, possibly due to the fact that it is almost unheard of for one of the two leads to be killed off at this point in the game. With Norman’s mind increasingly diluted by psychosis, the show is always in the air as to what is real and what is not, and of course, there is also the case for characters having been brought back from the “dead” before, such as with Bradley Martin. Alas, that was not the case for poor Norma Bates.

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