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    Exclusive Poster/Stills/Release Info: Adam Egypt Mortimer’s Slashterpiece “SOME KIND OF HATE”

    Whether it’s been at Stanley Film Festival or Fantasia International Film Festival, the collective word about Adam Egypt Mortimer’s Deathwave debut SOME KIND OF HATE has been resoundingly great. Hell, even in FANGORIA’s official review of the film, this writer speculates that SOME KIND OF HATE might be the turning point for the slasher genre into the new millennium, with the film’s emotional antagonist a shoe-in for horror icon status. Now, FANGORIA has learned exactly when you can expect to experience SOME KIND OF HATE for yourself, and we’ve got an exclusive new poster and still gallery to go along with it!

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    FIOFF ’15 Submissions To Die For: Marc Roussel’s “THE LAST HALLOWEEN”

    Welcome to SUBMISSIONS TO DIE FOR, the latest column focusing on highlights among the FANGORIA International Online Film Festival Submissions. While being featured on this column does not guarantee selection in the FANGORIA International Online Film Festival, SUBMISSIONS TO DIE FOR features some scare fare worth keeping an eye on…

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    Flesh and Blood: “CAT PEOPLE” (1982)

    As any fright fan knows, the horror genre has a particularly salacious relationship with sexually explicit content. And while nudity so often goes side by side with decapitated heads and brutal bloodletting, there are also horror filmmakers throughout the years who made an art form out of the human body with an appreciation of our most lurid and lucid desires. And it’s with that macabre mentality in mind that FANGORIA is proud to announce our partnership with Mr. Skin for a brand new NSFW column that looks to provoke our minds as well as our more physical impulses, FLESH AND BLOOD!

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    “THIS DAMNED BAND #1″ (Comic Book Review)

    Satan and rock ‘n’ roll have gone hand in hand ever since Elvis wiggled his hips on TV to the screaming hysterics of girls everywhere. While some bands attempt to quell the fears of the masses by refuting that Dark Lord’s presence anywhere near their work, others like Black Sabbath and the Rolling Stones run with the premise and frequently invoked his unholy visage in their shows. But Satan isn’t actually real, right? Well, according to Motherfather, the stars of Dark Horse’s newest series THIS DAMNED BAND, it depends on who you ask. Exploring the world of satanic worship and its connection to the dark art of music (with a heavy dose of sex and drugs), this title asks the question, “What if Satan is not only real, but he’s been listening to your band all this time?” Perhaps it’s time to lay off the mushrooms.

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    Toys of Terror #63

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Event Report: Film Premiere of Ben Jehoshua’s “THE CHOSEN”

    For those familiar with the new wave of celebrities spawned from platforms such as YouTube, they will see why Anaheim’s annual online video conference, Vidcon was the perfect setting for THE CHOSEN to hold it’s premiere last weekend. Kian Lawley is a bona fide social media sensation and plays the lead in this supernatural kiddie horror. Boasting over 2.7 million subscribers on his YouTube channel, hysteria swept over the black carpet when Lawley made his appearance, as an excitable throng of girls jostled to meet or get a photo with the boyish wunderkind.

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    FANGO Flashback: “LAND OF THE DEAD”

    In a world where terms such as “zombie apocalypse” and “Z-Day” rest comfortably within the mainstream vernacular, it’s nearly impossible to imagine a time when the shambling, biting corpses that we know and love/loathe weren’t a common presence in the horror landscape. Though the earliest depictions of zombies in cinema can be traced back to 1932’s WHITE ZOMBIE, many place the birth of the modern zombie in the 1968 black-and-white classic NIGHT OF THE LIVING DEAD, and consider the film’s director, George A. Romero, the godfather of the zombie subgenre.

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    FANGO Editor to Release his “MUSIC FOR MURDER” Album via Giallo Disco Records This Fall

    Filmmaker, FANGO editor and music composer Chris Alexander recently announced that his album MUSIC FOR MURDER has been picked up by noted dark, euro-cinematic music label Giallo Disco Records. Previously released in a different incarnation in a digital only platform via 2M1 Records, Giallo Disco has licensed the work for a radically different version, with added tracks, totally remastered.

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    “THE UNWANTED” (DVD Review)

    Writer/director Bret Wood’s moody microbudget melodrama THE UNWANTED (out now on Blu-ray from Kino-Lorber) has been met with general critical indifference since its release. Too glacial in its pacing, too light on hard sex and violence for many horror movie hounds and too modestly financed to thrill those looking for a glossy arthouse piece, THE UNWANTED is certainly an anomaly and doesn’t fit comfortably anywhere, really. That, of course, is part of its fascination; it’s a film that goes against convention and has a strange power that is hard to shake.

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