LOGO
  • ,,,,

    FANGORIA Presents: “SIN REAPER,” Big Creeper

    One of the most important aspects about the current releases under the FANGORIA Presents banner (see here for details; to find Fango’s Comcast collection on your VOD channel, search this way: Movies > Movie Collections > Fangoria) is the variety of all the films chosen. Whether it’s a bloody family outing in AXED, eeriness in Eastern Europe in ENTITY or pandemic pandemonium in GERM Z, FANGORIA Presents aims to give fright fans a different experience in terror with each selection. However, Fango has something special for gorehounds with Sebastian Bartolitius’s SIN REAPER, in which nightmares of a dark monastery and an enigmatic killer come to life for Samantha, a young woman with a mysterious past.

    Read more »
  • ,

    Canuck indie vet Larry Kent Goes All-Out Horror with “SHE WHO MUST BURN”

    “SHE WHO MUST BURN.” Hard to ignore that title, especially when pasted over a distressing close-up of a woman’s torched, screaming face that wouldn’t be out of place as a screen grab from Joseph Ellison’s DON’T GO IN THE HOUSE. Not the first thing one expects from idiosyncratic auteur Larry Kent, who was the ground zero of independent cinema in Canada 50 years ago with such classics of counter-cultural abandon and generational disenchantment as THE BITTER ASH (1963) and HIGH (1969), and best known recently for 2005’s festival favorite of family dysfunction, THE HAMSTER CAGE. And yet Kent, now well into his 70s, is, against all expectations, hard at work in Vancouver on his first ever lunge into the horror genre with SHE WHO MUST BURN, described as a “political, feminist, ultra-violent horror movie” that brazenly takes shots at the Christian Right’s pro-life lobby.

    Read more »
  • ,,,

    Win tickets to see George A. Romero’s NIGHT OF THE LIVING DEAD LIVE in Toronto

    On April 26th, at Toronto’s Theatre Passe Murailles, zombie enthusiasts will be thrilled by the premiere of Nictophobia Films’ first theatrical enterprise, GEORGE A. ROMERO’S NIGHT OF THE LIVING DEAD LIVE, a wild and faithful recreation of Romero’s seminal landmark film produced in collusion with Romero and original NOTLD creative forces John Russo and Russ Streiner.

    Read more »
  • ,,

    “BIG BAD WOLVES” (Tribeca Movie Review)

    Two years ago, Israeli writer/directors Aharon Keshales and Navot Papushado provided an out-of-nowhere highlight of the Tribeca Film Festival with RABIES, their multiple-twisty variation on killer-in-the-woods standards. Now they’re back at the fest with the world premiere of BIG BAD WOLVES, which isn’t quite as narratively knotty but proves the duo equally adept at a more brute-forceful brand of thriller.

    Read more »
  • ,,

    “THE MACHINE” (Tribeca Movie Review)

    Some films just look cool. Caradog James’ future-set cold war tale THE MACHINE is massively so. From an aesthetic standpoint it is slickly designed and beautiful on what’s surely a modest budget. Temperature-wise, it exists in a seeming eternally harsh space of overcast skies, nighttime and enormous, often barely-holding up warehouses and labs. Star Caity Lotz is fluid and incredible in her movement. But what’s truly coolest is the ensuing warm, radical spirit that reveals itself throughout it all.

    Read more »
  • ,,

    “‘TAIN’T THE MEAT… IT’S THE HUMANITY! AND OTHER STORIES ILLUSTRATED BY JACK DAVIS” and “50 GIRLS 50 AND OTHER STORIES ILLUSTRATED BY AL WILLIAMSON” (Book Reviews)

    Fantagraphics Books continues their classic EC COMICS cartoonist anthologies collection with two more mind-blowing offerings. EC’s hugely influential horror and sci-fi lines (George Romero, among many of its devotees) were a haven for groundbreaking comic artists in the 50s until the company got shut down for being considered a bad influence on kids. One of Jack Davis’ more notorious stories was even underlined by Dr. Frederic Wertham in his SEDUCTION OF THE INNOCENT, the alarmist book that largely triggered this anti-comics hysteria. The story in question, FOUL PLAY, featured a person’s decapitated head and intestines being used in a baseball game. FOUL PLAY appeared in another seminal EC title, THE HAUNT OF FEAR, and not TALES FROM THE CRYPT, which is what ‘TAIN’T THE MEAT… IT’S THE HUMANITY! concentrates on, but believe me, there’s plenty more Davis gore to go around.

    Read more »
Back to Top