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  • Event Report: FANGORIA’s Free “TIME LAPSE” NYC Screening!

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    Time travel, addiction, adultery and a gigantic Polaroid camera that reveals the future is only just the beginning of the science fiction thrill ride TIME LAPSE, directed by Bradley King and starring Danielle Panabaker, Matt O’Leary and George Finn, and distributed by XLrator Media. TIME LAPSE premiered to wide praise at the 2014 Brussels International Fantastic Film Festival, and with its upcoming theatrical release this Friday followed by a VOD launch, FANGORIA and editor emeritus Tony Timpone hosted a free screening at New York’s independent theater Cinema Village last Monday night. In attendance was star Finn, who plays TIME LAPSE’s Jasper, the drug and gambling addicted roommate. With a packed house and excitement in the air, the lights lowered and the fun began.

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  • The Dreadful Ten: The Darkness’ Top 10 Horror Films of All Time!

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    While FANGORIA usually reserves our Dreadful Ten column to show off the tastes and sensibilites of FANGORIA’s staff and contributors, this week is devoted to a special guest whose fandom of horror is as potent as their passion behind the microphone: Justin Hawkins, the lead vocalist and guitarist of the hard rock group The Darkness. With their fourth album, LAST OF OUR KIND, hitting shelves on June 2nd, Hawkins and FANGORIA got together to talk horror, and the high-pitched frontman revealed his top 10 horror titles of all time. So without further ado…

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  • “STIGMATA” (Blu-ray Review)

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    Unfortunately, one of the most accepted theories on the history of horror was that the ‘90s was a dark decade for the genre. While this might not necessarily be true, this writer understands why some might believe it to be so, considering there was so much in the zeitgeist meant to appease the angry youth of the time. Said angry youth, which propelled the likes of Nine Inch Nails, Limp Bizkit and Eminem into multi-platinum status over the weepy, grungy days of rock past, would inspire similar aesthetic choices on the horror films of the time, giving us derivative, misbegotten fright fare such as THE RAGE: CARRIE 2, AN AMERICAN WEREWOLF IN PARIS and STIGMATA.

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  • Stream to Scream: “THE CANAL”

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    Last year, independent horror was, for the most part, defined by the less-is-more approach of blending psychological horror with supernatural horror. After all, while something popping out of a dark doorway will always be startling, the idea of something beyond our comprehension lurking behind that door is all the more scary. Of course, this approach was used in THE BABADOOK, UNDER THE SKIN, THE TAKING OF DEBORAH LOGAN and more, allowing filmmakers to play with the fantasy and storybook elements behind a horror tale and infuse it into real-world consequences. But where Ivan Kavanaugh’s THE CANAL particularly succeeds is in how visceral the psychological horror can be, offering something much more terrifying and shocking than a sense of nightmarish foreboding.

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  • Toys of Terror #52

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    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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  • New Comments, Info: Lilli Carati’s Swan Song, “VIOLENT SHIT: THE MOVIE”

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    The sudden death of Italian actress Lilli Carati, on October, 20th 2014 left all her fans astonished, now orphaned of her talent. One of the most representative icons of Italian ‘70s and ‘80s sex-comedies, Carati also appeared in films of different genres such as SQUADRA ANTIFURTO, alongside Tomas Milian, and LA FINE DEL MONDO NEL NOSTRO SOLITO LETTO IN UNA NOTTE PIENA DI PIOGGIA, directed by Lina Wertmüller.

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