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    Exclusive Photo Gallery: Goblin, Live in Toronto

    Legendary Italian horror soundtrack supergroup GOBLIN rocked Toronto’s Opera House last Friday, October 11th and FANGORIA was there to take it all in. Classic GOBLIN lineup members Claudio Simonetti, Massimo Morante and Maurizio Gaurini joined key DAEMONIA (Simonetti’s metal-edged GOBLIN cover band) members drummer Titta Tani and bassist Bruno Previtali (subbing for Fabio Pignatelli) to unleash a light-soaked audio visual meltdown chronicling the band’s near 40-year career sculpting progressive rock opera.

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    Q&A: Author Gary McMahon on Melancholy Ghost Story, “THE BONES OF YOU”

    Acclaimed as being in the vanguard of the new wave of British horror writers, Gary McMahon has been publishing novels and short stories at a prolific clip for over a decade now. He writes about damaged, dysfunctional people struggling to deal with the real world, who find themselves unlucky enough to stumble into its dark, unreal corners along the way.

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    Director & DP go Inside the Coven with commentary on “AMERICAN HORROR STORY”

    Director Alfonso Gomez-Rejon and Cinematographer Michael Goi are some of AMERICAN HORROR STORY’s most key players. Providing the series with immense, dizzying, often beautiful style, they meet the nuttiest places the series is willing to go and complement perfectly. It’s great then, that they’ve dived into their choices in a mini-featurette covering COVEN’s premiere episode “Bitchcraft.” Discussing not only their strong visual decisions, but SUSPIRIA influence and how they achieve such on the tight schedule that is television production, the six-minute “Inside the Coven” is great viewing for fans and admirers.

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    Trailer, Release Date: Shot on Super 8 Halloween Horror, “I AM ZOZO”

    Ah, the old, “we played a game on Halloween and legit summoned a demon.” This year, the scenario comes from director Scott Di Lalla in I AM ZOZO, which was shot on super endearing Super 8 and is sticking to its guns as being based on an entity that’s actually contacted many an unwitting youth messing around with the Ouija. 

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    NYCC ’13 exclusive: “VAMPIRE ACADEMY” will have more bite than “TWILIGHT”

    When the filmmakers and cast of The Weinstein Company’s VAMPIRE ACADEMY descended upon New York Comic-Con this past weekend, the trailer they presented emphasized the film’s sarcastic humor. But when Fango landed an exclusive interview with director Mark Waters and scripter Daniel Waters at the show, they affirmed that their movie will pack genre appeal beyond that of a certain other youth-oriented fanged franchise.

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    Win “COLD BLOODED” From Uncork’d Entertainment!

    Frances is a tough-as-nails female cop. Cordero, a cold blooded gangster arrested for thievery and murder. When Cordero’s heist goes awry, his bloodthirsty boss wants him dead at any cost, and Officer Frances has to fight for their lives all the while not letting Cordero escape. Uncork’d and FANGORIA have five copies of COLD BLOODED on DVD to give away to five lucky winners.

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    ALL NIGHT HORROR MARATHON: “THE OUTING” (Scream Factory DVD Review)

    In the early 80s, the slasher was king. So much so that studios were barely making any other kinds of horror movies.  But as with all trends, it died out thanks to the resurgence of monster and supernaturally-tinged movies that offered big budget, state of the art FX, and leaving producers without the money to compete with the likes of THE FLY and The LOST BOYS little choice but to stick to the (cheaper) slasher movie template.  But in many of these mid/late 80s cases, such as THE OUTING (aka THE LAMP, more on that soon), they would toss in a monster or some sort of possession angle to stick out a bit and avoid being just another “outdated” slasher movie, even while sticking rigidly to its formula: a bunch of kids being picked off one by one, leaving the smartest girl to face off and defeat the villain. 

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    “NIGHT TRAIN TO TERROR” (DVD Review)

    Within its opening three minutes, the 1985 bizarro horror anthology film NIGHT TRAIN TO TERROR segues from a choreographed New Wave dance number—think the FLASHDANCE wardrobe department projectile vomiting across the set of a 1980s LOVERBOY video—to a grandiloquent debate over human freewill between a Count Dracula-ish Satan and a God so ridiculously archetypal he makes George Burns’ turn in OH, GOD! look like Linda Blair in THE EXORCIST.

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