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    Halloween Treat: Win a Year’s Subscription to FANDOR!

    For the horror hordes—fans, filmmakers and film writers alike—Halloween is but a highlight in a year of spooky stuff. Come next Saturday, November 1st, I should think most of you would shudder at the idea of abandoning genre film until next autumn rolls around. To aid your continued adventures in horror living then, FANGORIA is giving away one year’s subscription to FANDOR, a brilliantly curated streaming service built on film love and film community.  

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    Exclusive: “THE FOREST OF FEAR” Speaks!

    Earlier this season, FANGORIA recapped one of New York’s premiere haunts, The Forest of Fear. Located in Tuxedo, NY, at the famed Sterling Forest, this interactive haunt is one of this writer’s personal favorites, combining a real passion for horror with a homegrown humility that makes the experience feel as communal as it is creepy. In gearing up for their last weekend of the season, FANGORIA spoke to the people behind The Forest of Fear, including haunt actors Tom Zorn, Cat RoPo, Armond Cecere as well as the haunt director, Christopher DeTroy (pictured above).

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    Q&A: Keanu Reeves enters the “zoo of revenge” as JOHN WICK

    In homage to the film’s eponymous character, let’s dispatch with any namby-pamby vacillations or too-cute flourishes and employ some Bruce Lee-esque economy of motion (and language) here: JOHN WICK is hands down one of the best, most enlivening revenge thrillers to come down the pike in years—a prime-cut of uber-adrenalized, exquisitely realized action filmmaking that not only manages to bridge the gaps between A HISTORY OF VIOLENCE, EASTERN PROMISES, the BOURNE franchise, and the glorious insanity of later DEATH WISH flicks, but also achieves a near-perfect balance of pulse-raising, harrowing combat; heart-rending pathos; absurdist fun; primal, righteous—if somewhat reluctant!—vengeance; and, oh yeah, a body count sure to fill the heads of morticians in the audience with visions of retirement to the south of France. 

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    Guest Blog: “THE ABCs OF DEATH 2″ Director Alejandro Brugues on “ALIEN”

    As a burgeoning series of films, THE ABCs OF DEATH anthologies are predicated on, well death. The wait for it. The horror of it. The humor in it. It’s inevitable, and even in just three or so minutes, the build can be massive. These experimental, sometimes exhausting omnibuses see a massive ensemble of international filmmakers try their hands at the short format and visceral release of onscreen demise. But what put them on this path? What shocking, horrifying, hilarious, titillating filmic expirations influenced them? The directors of THE ABCs OF DEATH 2 are contributing guest blogs on their favorite cinematic deaths to all manner of movie sites. Here at Fango, JUAN OF THE DEAD helmer Alejandro Brugués writes of his.

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    Q&A: Sean Hogan, on the Long-Awaited U.S. Bow of “THE DEVIL’S BUSINESS”

    In 2011, an intimate, brisk, affecting film unspooled at festivals around the world and introduced many audiences to UK talent Sean Hogan. The director of LIE STILL (unfortunately retitled to THE HAUNTING OF 24 in the U.S.), who had also just contributed to transgressive anthology LITTLE DEATHS, seemed poised to break through in a heavier manner. After all, his THE DEVIL’S BUSINESS was a literary, thoughtful piece of horror, one looking to enthrall and ultimately repulse, ending on a particularly eerie note. 

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