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  • “THE SERPENT & THE RAINBOW” (Blu-ray Review)

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    In the grand scheme of Wes Craven, THE SERPENT & THE RAINBOW is easily, pound for pound, one of the filmmaker’s best movies. Eerie, dread-inducing and far from the familiarity of slashers and serial killers, THE SERPENT & THE RAINBOW offers seriously engaging drama and incredibly beautiful production design on top of the mounting tension and macabre moments. And while THE SERPENT & THE RAINBOW is a favorite among many fright fans, the film has sadly taken quite some time to get to high definition, with Scream Factory taking up the mantle with their brand new Blu-ray set.

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  • “THE CURSE / CURSE II: THE BITE” (Blu-ray Review)

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    The ‘80s was a weird, wild time in the world of horror filmmaking. Imaginative, FX-heavy films were in vogue, most of which were gleefully R-rated and contingent on shock value to grab the insatiable horror audience. Likewise, the genre was sequel-crazy during the decade, franchising any and every horror property that made a buck, even if they were connected via title alone. And there’s no better example of both categories of ‘80s horror than in THE CURSE and THE CURSE II, a pair of genre oddities that are making their high-definition debut from Scream Factory this week.

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  • “THE VINCENT PRICE COLLECTION III” (Blu-ray Review)

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    While Scream Factory pours their heart and soul into any box set they release, the boutique distributor’s pride and joy would be their series of VINCENT PRICE COLLECTIONS. Having already brought such classic films such as HOUSE ON HAUNTED HILL, THE ABOMINABLE DR. PHIBES, WITCHFINDER GENERAL and more to high definition via these sets, the VINCENT PRICE COLLECTION series have been a fitting tribute to the performer’s esteemed oeuvre with enough unique special features to impress even the most ardent collector. Now, Scream Factory is back with their third VINCENT PRICE COLLECTION, although with many of Price’s classics already on the HD market, this selection is going deeper into his filmography with more obscure titles and extras to boot.

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  • “THE MUTILATOR” (Blu-ray Review)

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    One of the benefits of being a relatively younger fright fan is being able to see the cult classics and eerie obscurities of the ’80s for the first time in this day and age. Whether it’s insane fright fare like BLOOD RAGE, the campy fun of MADMAN or the ridiculous proto-slashers of BLOOD AND LACE, they certainly don’t make ’em how they used to, and without the baggage of the bigger franchises looming over them as they must have upon their initial release, these bad boys often take a life of their own. And somewhere among the weirder horror offerings is THE MUTILATOR, a brutal oddity that, for all of its pacing and dialogue issues, more than makes up for it in the gore department with a stylish scene or two to help keep things interesting.

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  • “FROM DUSK TILL DAWN: THE COMPLETE SECOND SEASON” (Blu-ray Review)

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    While Robert Rodriguez’s El Rey Network continues to grow with each passing month, with various events, marathons and original programs (including the fantastic DIRECTOR’S CHAIR series) helping that growth, the channel is likely still best known for FROM DUSK TILL DAWN: THE SERIES. Building upon the mythos established in the film of the same name, FROM DUSK TILL DAWN’s second season saw the Gecko Brothers, Satanico Pandemonium, the Fuller Family and all the various outliers go into bold new territory. And now, fright fans have the opportunity to sink their teeth into FROM DUSK TILL DAWN: THE COMPLETE SECOND SEASON in a newly packaged Blu-ray set, courtesy of Entertainment One.

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  • “PIECES” (Blu-ray Review)

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    PIECES was the first “No one under 17 admitted” movie I ever saw back in my burgeoning horror-lovin’ youth without an older friend to help me through the doors. The additional sign over the box office reading, “If you’re not 17, you’re not getting in!” didn’t stop my friend and I—neither one of us close to that magic age—from achieving access.

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  • “THE X-FILES: Season 10, Episode 4” (TV Review)

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    After putting together an out-and-out contemporary classic with “Scully and Mulder meet the Were-Monster,” one might have imagined that the next installment of THE X-FILES would have a tough time reaching that high bar. Yet to be perfectly honest, one could assume that no one expected “Home Again” to be a busy, unfocused and frankly disappointing chapter of THE X-FILES revival. After all, Glen Morgan’s writing and direction on the series has frequently been stellar, but when THE X-FILES announced its return would be contained to a six-episode event series, the fact that one episode missed the mark so prominently shows that the little time fans have with Scully and Mulder again feels more valuable than it once was.

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  • “REGRESSION” (Movie Review)

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    “We’ve made absolutely no progress,” laments Ethan Hawke’s brooding detective Bruce Kenner about an hour into REGRESSION—and the audience may well be inclined to agree with him, presuming they can find this latest dumped-by-The-Weinstein-Company flick. But let’s regress back to the beginning of the story…

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