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  • “BURYING THE EX” (Blu-ray Review)

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    Out of the many of the proclaimed “Masters of Horror” working today, there’s few who keep their cinematic voices as refreshing and versatile as Joe Dante. While his budgets and resources are a far cry from his subversive studio days, Dante still goes for broke in terms of his projects and subject matter as opposed to slumming it with annoying tailored fan service. There’s no better example of Dante’s evolving voice than BURYING THE EX, a potentially by-the-numbers Rom-Zom-Com that escapes its meager means via Dante’s ambition and willingness to get down and dirty with the subject matter.

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  • “THE PEOPLE UNDER THE STAIRS” (Blu-ray Review)

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    There’s no denying that Wes Craven is indeed one of the top directors in the genre, and there are few who are outright more terrifying and gripping that Craven at the top of his game. Yet Craven is known for his peaks as well as his valleys, and from the jump from one point to another, there is a ton of weird, wild stuff on the way. THE PEOPLE UNDER THE STAIRS is among Craven’s most bizarre (and heavy-handed) films, and though the film isn’t necessarily a genre classic in any regards, the outrageous places the flick eventually goes has rightfully earned THE PEOPLE UNDER THE STAIRS a loyal cult audience.

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  • “THE SLASHENING” (Film Review)

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    In an age where horror spoofs are almost universally derided, there’s a certain amount of gutsy respect afforded to filmmaker Brandon Bassham for going straight into THE SLASHENING as a parody. After all, there’s only so much material in the slasher genre that has yet to be untouched by spoofs or commented upon by self-referential fright flicks. And while this serves true for some parts of THE SLASHENING, which is clearly inspired beyond its means, Bassham thankfully takes a more absurdist approach that provides inherent charm to this lean, mean parody.

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  • “HARBINGER DOWN” (Film Review)

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    For a critic who primarily reviews within the horror genre, giving a completely unbiased review to a project such as HARBINGER DOWN is almost impossible. Given the film’s publicized Kickstarter, promotional materials presenting itself as a “practical effects film” and the heartbreaking saga of Studio ADI’s work on THE THING, HARBINGER DOWN has been a film fright fans have been rooting for since day one. And while any horror fan should be excited when one of the industries top FX masterminds is given free reign to do an old school monster movie, that same sense anticipation can be a double edged sword, and HARBINGER DOWN unfortunately falls into that category.

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  • “WYRMWOOD: ROAD OF THE DEAD” (Blu-ray Review)

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    While the marketing materials may try to sell Kiah Roache-Turner’s WYRMWOOD: ROAD OF THE DEAD as a cross between MAD MAX and DAWN OF THE DEAD, this fantastic independent zombie flick is much closer to something like THE SIGNAL (2007) or DARKMAN. Though WYRMWOOD offerings more than enough blood, violence and turbo-charged insanity to come off as ROAD WARRIOR-esque, the film is also surprisingly emotional while exploring different, more sci-fi oriented avenues than one might expect. But in doing this, WYRMWOOD’s weird streak allows it to stand among the recently saturated zombie film market to be something truly memorable and fun, reminding the audience how far one can stretch a dollar with the right amount of imagination and gore FX.

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  • “NORTHMEN – A VIKING SAGA” (Film Review)

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    When life hands you lemons… start throwing axes at random nameless, faceless baddies.

    Such is the maxim the marooned berserkers of NORTHMEN—A VIKING SAGA seek to honor and invoke fewer than five minutes into this viscera-festooned, manic-in-a-good-way, unabashedly over the top ninth century adventure flick: Think the popular History Channel docudrama series imbued with a little John McTiernan-esque swagger and sheen—not to mention a considerably more laissez-faire approach towards graphic violence—and your expectations will be roughly in the right longship.

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  • “KNOCK KNOCK” (Film Review)

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    While Eli Roth may be known for his particular and popular brand of horror, ranging from his directorial work on HOSTEL to his acting in AFTERSHOCK to his producing work on the big screen and small, one might forget that Roth cut his teeth in one of horror’s most longstanding institutions: Troma. And while Roth’s horror geek cred has never come into question, what with his penchant for provocative, Eurohorror-influenced content, Roth’s sensibilities have long existed within the realm of exploitation. But with KNOCK KNOCK, Roth’s most recent directorial effort, horror audiences will see a new side to Roth as a filmmaker as those sensibilities collide into something completely different: a midnight movie made for the mainstream horror fan.

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  • “THE UNWANTED” (DVD Review)

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    Writer/director Bret Wood’s moody microbudget melodrama THE UNWANTED (out now on Blu-ray from Kino-Lorber) has been met with general critical indifference since its release. Too glacial in its pacing, too light on hard sex and violence for many horror movie hounds and too modestly financed to thrill those looking for a glossy arthouse piece, THE UNWANTED is certainly an anomaly and doesn’t fit comfortably anywhere, really. That, of course, is part of its fascination; it’s a film that goes against convention and has a strange power that is hard to shake.

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