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    Exodus: “BLOOD IN, BLOOD OUT” (Album Review)

    The first thing that comes to mind when listening to the opening track of Exodus’s new album, BLOOD IN, BLOOD OUT, is, that unlike several of the band’s peers, age has in no way mellowed the band in the slightest. “Black 13” is a crushing example of thrash metal done to perfection, as if the band were frozen in a block of ice in 1987 and then released to terrorize the populace (like Christopher Lee’s Dracula in the beginning of Hammer’s 1968 epic DRACULA HAS RISEN FROM THE GRAVE).

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    “THE PYRAMID” (Movie Review)

    Alexandre Aja and his cohorts have done pretty well by remakes like THE HILLS HAVE EYES, MANIAC and PIRANHA 3D, but they hit one into the sand trap with THE PYRAMID, which is ostensibly an original but plays like a redux of the many previous films in which exploratory teams enter a forbidding structure/location and live (or not) to regret it.

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    “TALES FROM THE CRYPT / VAULT OF HORROR” (Scream Factory Blu Review)

    Find us a scarier film than Freddie Francis’ Amicus-financed 1972 omnibus TALES FROM THE CRYPT, we dare you. Alright, maybe that’s a bold and fruitless dare, as fear is subjective and certainly there are other pictures that go into darker recesses of the mind. But from its first frames to its invasive final shot, this classic British creeper offers an unrelenting study in the art of the macabre. 

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    “THE BABADOOK” (Mike’s Movie Review)

    You’ve no doubt read all sorts of great stuff about THE BABADOOK at this site and elsewhere, so let me simply add my voice to the chorus of praise. Genre fans, this is the real thing—a powerfully frightening film that also exemplifies horror’s capability to address other, equally strong emotions and issues.

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    “ALTERGEIST” (Movie Review)

    If you burn for a ghost story with an extraterrestrial twist, consider your cinematic thirst quenched. The directorial debut of Tedi Sarafian, ALTERGEIST bravely attempts to mesh these two themes into one film, creating both an ambiguous, creepy and rather enjoyable paranormal matrimony. 

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    Mario Bava’s “RABID DOGS” (Arrow Blu-ray Review)

    Long considered a master of Italian genre cinema, it’s hard to look back now and see how Mario Bava was received at the time. His movies made money, but both in Italy and abroad Bava was deemed a trashy hack. Now of course, we hail him  one of the most influential Italian directors of all time, but in the mid 70s, he couldn’t even get one of his finest achievements released. 

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    “V/H/S VIRAL” (Movie Review)

    Any debate scheduled to conclude with fisticuffs in a boxing ring is bound to engender a bit more tension than the average Oxford Union fare, but when Alamo Drafthouse CEO Tim League and horror director Ti West clashed at Fantastic Fest this past September over the unsubtle-yet-hilarious/apropos proposition “The Found Footage Genre is a Cancer Eating Away the Integrity of Cinema” the point-counterpoint—as foreshadowed by the pair’s brutal pre-confrontation challenge videos—took on a particularly vitriolic, take-no-prisoners vibe. 

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    Exclusive: “THE FOREST OF FEAR” Speaks!

    Earlier this season, FANGORIA recapped one of New York’s premiere haunts, The Forest of Fear. Located in Tuxedo, NY, at the famed Sterling Forest, this interactive haunt is one of this writer’s personal favorites, combining a real passion for horror with a homegrown humility that makes the experience feel as communal as it is creepy. In gearing up for their last weekend of the season, FANGORIA spoke to the people behind The Forest of Fear, including haunt actors Tom Zorn, Cat RoPo, Armond Cecere as well as the haunt director, Christopher DeTroy (pictured above).

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