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    “PARANORMAL ACTIVITY: THE MARKED ONES” Teases Hunt in New Spot

    Perhaps its the seeming return and expansion of black magick mythos, but there’s something eerie in the way PARANORMAL ACTIVITY: THE MARKED ONES is presenting itself. There’s also something delightful in the fact that an immensely successful franchise is still sticking to fan interaction and engagement, looking to hype up its admirers and reward fervent followers with advanced looks. Both aspects meet in a brief new spot teasing a hunt beginning December 6th. 

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    Dunstan, Melton have “SCARY STORIES TO TELL IN THE DARK”

    First published in the early 80s, Alvin Schwartz and illustrator Stephen Gammell’s campfire collection SCARY STORIES TO TELL IN THE DARK and its subsequent follow-ups are immortal and essential to many a horror fan. Providing a gateway to genre and for many, a first real fright, Schwartz’s simple, often darkly comedic terror tales culled from legend, punctuated by Gammell’s fantastic, truly eerie art  (a serious backlash ensued when the 30th anniversary editions were published in 2011 with alternate illustrations) could now indoctrinate youngsters into horror via film. 

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    “SATURN 3″ (Scream Factory Blu-ray Review)

    How peculiar a film is SATURN 3?  Its plot—a horny robot trying to kill its “competition” so it can have Farrah Fawcett all to itself—is one of the least puzzling things about it. You’ll spend far more time wondering why Fawcett is rolling around with a man twice her age (that would be Kirk Douglas), or why Harvey Keitel’s very recognizable voice has been dubbed over, or why all future movies have to have weirdo chess pieces when in reality we’ve been OK with the same basic designs for hundreds of years; or just what anyone was thinking when they greenlit this movie in the first place?

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    “THE LAST DAYS ON MARS” (Movie Review)

    At this point in the history of science fiction film, there’s ironically little territory left to cover in space. There’s always the option to set familiar premises or characters in the infinite abyss, but these films can feel derivative, and despite taking place on faraway planets, they often don’t feel extraterrestrial aside from the digitally enhanced environments. Being generic isn’t necessarily a bad thing, and can feel uninspired rather than disappointing—which works in the favor of the rather bland THE LAST DAYS ON MARS.

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    IFC Midnight is (“WITCHING &) BITCHING”

    The latest film from one-of-a-kind Spanish director Álex de la Iglesia (DAY OF THE BEAST, THE LAST CIRCUS) is high energy horror comedy WITCHING & BITCHING. A silly, manic tale of witchcraft and the battle of the sexes, the movie previously hit North America when it closed the Toronto International Film Festival’s Midnight Madness and made its U.S. debut at Austin’s Fantastic Fest. Now, it will find its way to general audiences courtesy of IFC Midnight in 2014. 

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    Santa Showdown: “GREMLINS” VS. “RARE EXPORTS”

    Jingle the Bells! Hit the lights! In celebration of FANGORIA’s re-release of the remastered original SILENT NIGHT, DEADLY NIGHT, we present to you SANTA SHOWDOWN, a battle between the more gruesome ghosts of Christmas Past. So sit down by the fire, enjoy some eggnog and pray neither of these Christmas killers make their way down your chimney…

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