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  • Stream to Scream: “DEAD SNOW 2: RED VS. DEAD”

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    While generally well-received, financially successful and, at the very least, having earned the notoriety of “that nazi zombie movie” among contemporary horror fans (over the likes of OUTPOST and SHOCKWAVES), DEAD SNOW has been a rather divisive movie among horror audiences. Some fright fans took Tommy Wirkola’s Scandinavian scare fare in stride, praising the fun approach to the material and splattery action that would cement it as a modern midnight movie. Others, however, were less impressed; whether it be using the “harbinger” trope or aping too much of Sam Raimi’s EVIL DEAD aesthetics, harder critics donned it too derivative for its own good. Thus when a sequel was announced, the response was a surprising balance between cheers and apprehension, even if the time since its premiere had garnered DEAD SNOW 2: RED VS. DEAD a mounting sense of goodwill.

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  • “THE GREEN INFERNO” To Consume Audiences September 25th

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    After nearly a year since the film was abruptly pulled from cinemas, Eli Roth’s cannibal opus THE GREEN INFERNO will see the light of day after all. Roth made the official announcement earlier today, detailing that the film will see a 1,000 theater release and a digital marketing platform (much akin to the expanded release of IT FOLLOWS) via Blumhouse Productions, who will team with Universal Pictures and High Top Releasing to distribute the film via Blumhouse’s BH Tilt label. This will also guarantee that THE GREEN INFERNO will hit theaters before Roth’s Sundance chiller KNOCK KNOCK, which Lionsgate aims to release later this year as well.

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  • “LET US PREY” (Film Review)

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    The mid-’00s were a very strange time in horror; the J-horror remake movement had gone stale, while the so-called “torture porn” scene exploded side by side with the New French Extremity movement. There was a very specific theme of sadism that ran through the genre on almost every level, with horror focusing on anguish and suffering whether or not the story truly supported it. Thus, many films of this time remain far from memorable, as even though the intention to push the barriers of good taste was pursued, there was so little payoff to make the experience truly gratifying. And when watching Brian O’Malley’s LET US PREY, that era came to mind in a different light altogether: creepy, brutal and gripping, I felt as if I was watching what those films had so often sought to become yet with the substance they so often forgotten.

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  • Return of the Dragon: Caroline Dhavernas talks “HANNIBAL” Season Three!

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    With Bryan Fuller taking his shot at editing FANGORIA #343, the wait for HANNIBAL to return has become an even more difficult endeavor for fright fans. However, Fuller was able to sneak FANGORIA onto the set of HANNIBAL last month, and we were able to catch up with the brilliant cast of the surreal series. Our fifth chat was with Dr. Alana Bloom herself, Caroline Dhavernas, who delves into her Faustian path in HANNIBAL’s third season…

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  • Crossing Over: “EAGLEHEART”, Adult Swim’s Love Letter to Gory Absurdity

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    Welcome, FANGORIA Readers, to CROSSING OVER, our newest column that highlights the films, series and content out there outside of horror that is fashioned towards or pays tribute to our beloved genre. By shining a light onto these projects, FANGORIA hopes to open a world of entertainment perfect for fright fans that lies just beyond the borders of the horror community. So without further ado…

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  • Stanley Film Festival ’15: Larry Fessenden on Neo-Fulci Fright Flick “WE ARE STILL HERE”

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    For fans of independent horror, the name “Larry Fessenden” should be very familiar. The creator of the NY-based production house Glass Eye Pix, which turns 30 later this year, Fessenden has proven himself as performer, producer and director in the independent horror world, shepherding talents like Ti West, Jim Mickle and Glenn McQuaid while helming fright fare such as WENDIGO, THE LAST WINTER and 2013’s killer fish movie BENEATH. However, Fessenden has been just as busy on-camera as he has been off, appearing in recent projects such as YOU’RE NEXT, HELLBENDERS, LATE PHASES, JUG FACE, I SELL THE DEAD, THE STRAIN and, most recently, Ted Geoghegan’s WE ARE STILL HERE.

    Recently, the neo-Fulci chiller played at the incredible Stanley Film Festival, where Fessenden also represented his own TALES FROM BEYOND THE PALE LIVE as well as his appearance in Dan Berk and Robert Olsen’s BODY. FANGORIA caught up with Fessenden shortly after the Festival to talk about his multi-faceted macabre role in Geoghegan’s demonic directorial debut…

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  • Return of the Dragon: Richard Armitage talks Dolarhyde on “HANNIBAL” Season Three!

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    With Bryan Fuller taking his shot at editing FANGORIA #343, the wait for HANNIBAL to return has become an even more difficult endeavor for fright fans. However, Fuller was able to sneak FANGORIA onto the set of HANNIBAL last month, and we were able to catch up with the brilliant cast of the surreal series. Our next chat was with HANNIBAL’s most recent addition to its prestigious cast, as Richard Armitage let FANGORIA dig our claws into the latest iteration of Francis Dolarhyde…

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  • FANTASTICA Preview Round-Up: Arrow’s U.S. Spring Blu-ray Slate!

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    Whether it’s intentionally tasteless exploitation, hypersexual art house horror or bizarre classic creepshows, Arrow’s recent multi-region Blu-ray slate is bringing some of the most mesmerizing and surreal cult classics to the stateside marketplace in high definition. By offering fright fans some of the most fascinating oddities in horror history and giving their discs the royal treatment with incredible transfers and special features, Arrow is giving the U.S. collector’s crowd a look at their comprehensive releases, many of which would give Criterion a run for their money. And luckily for our readers, FANTASTICA recently had the chance to look through ’em all!

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