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  • Crossing Over: “DEATH SENTENCE”

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    Welcome, FANGORIA Readers, to CROSSING OVER, our newest column that highlights the films, series and content out there outside of horror that is fashioned towards or pays tribute to our beloved genre. By shining a light onto these projects, FANGORIA hopes to open a world of entertainment perfect for fright fans that lies just beyond the borders of the horror community. So without further ado…

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  • NYCC ’15 Video Interview: Lucy Lawless talks “ASH VS. EVIL DEAD”

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    You’ve seen her as a Warrior Princess, a deceptive Roman, and an Ancient Witch, but you’ve never seen Lucy Lawless kick deadite ass… until now! That’s right, the beautiful and badass Lucy Lawless is crashing into the EVIL DEAD universe as Ruby Knowby on Starz’s upcoming ASH VS. EVIL DEAD, taking on monsters and Ash Williams alike. However, if you don’t think she’d be able to hold her own against Ash, think again; the intimidating actress spoke to FANGORIA at New York Comic Con to talk about Lawless’ mysterious character and jumping from SALEM to ASH VS. EVIL DEAD…

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  • The Dreadful Ten: Top 10 Essential Films for Halloween Viewing!

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    Can you feel it in the air yet? With little over one week until Halloween is upon us, horror fans around the world begin to get giddy for our terrifying traditions and frightening festivities. And with the perfect excuse to indulge in a macabre movie binge, FANGORIA is willing to shine a guiding light for you creatures of the night as this week’s Dreadful Ten offers the essential horror titles to prepare yourself for All Hallow’s Eve…

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  • “I SPIT ON YOUR GRAVE 3: VENGEANCE IS MINE” (Film Review)

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    It’s an odd thing to consider that one of the most notoriously brutal films of all time- Meir Zarchi’s 1978 rape revenge film I SPIT ON YOUR GRAVE- would spawn a largely direct-to-video horror franchise almost 40 years after the fact. Yet with a third installment subtitled VENGEANCE IS MINE, that’s exactly what has happened with the property, even going so far as to being a direct sequel to the 2010 remake rather than the in-name-only sequel before it. However, I SPIT ON YOUR GRAVE 3: VENGEANCE IS MINE is a decidedly strange affair from start to finish, attempting to be a female empowerment piece only to fall into strangely unfocused territory as to become a commentary on the nature of revenge.

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  • FANGO Flashback: “HOUSE OF 1000 CORPSES”

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    The progression of Rob Zombie as a director is actually rather fascinating, especially considering his reputation as a gritty, extreme horror filmmaker. While the filmmaker has indeed at least embraced his perhaps prematurely bestowed title as a modern goremeister with his latest film, 31, the fact is that only a select few of his films are explicitly twisted, and even they seem relatively tame by today’s standards. In fact, by his track record, Zombie has made just as much slow-burn, surreal fright fare (such as THE LORDS OF SALEM and HALLOWEEN 2) as he has made gritty bloodletters (such as HALLOWEEN and THE DEVIL’S REJECTS). And yet, somewhere in the middle of those two points is a weird little film that, in retrospect, feels like an unholy mix of ‘80s-era Tobe Hooper and H.G. Lewis: HOUSE OF 1000 CORPSES.

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  • “FISTFUL OF BLOOD #1” (Comic Book Review)

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    FISTFUL OF BLOOD is exactly the type of comic you would imagine would first find its audience in the pages of Heavy Metal: Blood, vampires, zombies and a thong-clad, gun-toting woman in the middle of a desert town that may or may not be post-apocalyptic. Even the genre is ambiguously Heavy Metal, a mix of western/horror/maybe sex, sets the tone for what is perhaps, the most over the top, yet, fun read on the market right now.  Definitely a mature audience title, FISTFUL OF BLOOD pulls a no punches homage to Clint Eastwood’s FISTFUL OF DOLLARS, and, despite some creative choices, does an impressive job of keeping true to the original work.

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  • NYCC ’15 Video Interview: Bruce Campbell talks “ASH VS. EVIL DEAD”

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    You asked for him, and now you’ve got him! With the first season looming around the corner, Ash is definitely back and ready to kick Deadite ass once again. But of course, there is no Ash without his real life counterpart, living legend Bruce Campbell, who can command a room filled with thousands of fright fans just as easily as he can wear a Chainsaw arm. And with ASH VS. EVIL DEAD on our minds at New York Comic Con, FANGORIA got some on-camera time with the King himself to talk EVIL DEAD, working with FX both practical and digital and becoming Ash once more…

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  • Bloody First Teaser for “THE WORLD OF KANAKO” Hits From Drafthouse Films!

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    While they might not always operate within the confines of the horror genre, there’s few people that would argue that the interests of Drafthouse Films and horror fans don’t overlap. Offering imaginative, kick-ass entertainment from around the globe, Drafthouse Films is never afraid to bring the blood and gore in a big way, and that certainly seems to be the case for the out-of-control revenge flick THE WORLD OF KANAKO. And with the film hitting VOD and select locations on December 4th, Drafthouse films has released the insane first trailer for KANAKO, which you can see below!

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  • Scream Factory to produce first original film, “FENDER BENDER” with “NIGHT FLIER” director

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    For the last few years, Scream Factory has proven themselves to be a force to be reckoned with in the specialty distribution market. The label, which puts out many of fright fan’s favorite cult classics and underrated horror films on Blu-ray, recently made the jump into the original content pool with Astron-6’s THE EDITOR, Dr. God’s BLOODSUCKING BASTARDS, James Roday’s GRAVY and Takashi Miike’s OVER YOUR DEAD BODY. Now, Scream Factory makes an even bigger impression on the genre, as they’ve announced that they’re taking a step further and putting together their very first original feature film production.

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  • “THE LARRY FESSENDEN COLLECTION” (Blu-ray Review)

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    What defines a “Master of Horror” among the fright filmmakers past and present? Is it the prolific nature of the filmmaker, having had years and years of terror title under their belts? Is it the strength of the films they make, even if they work only once in a blue moon? Or is it the originality of the filmmaker, offering something completely unique and different with each passing title that can’t be seen quite anywhere else?

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