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    Set Report: Inside Nicholas McCarthy’s ‘Easter’ Segment of Eerie Anthology “HOLIDAYS”

    Known to create a foreboding and downright scary tone in his films, THE PACT and AT THE DEVIL’S DOOR director Nicholas McCarthy is doing something different today. He’s telling his lead actress to deal with Easter eggs and step in goo. McCarthy’s as calm as they get as a director, and during this particular set-up, he holds his hands up to his mouth, to prevent a devilsh giggle. McCarthy loves what he loves.

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    Q&A: Actor Stephen Ohl talks On-and-Off-Camera Scares in “HOOKED UP”

    While Pablo Larcuen’s found-footage shocker HOOKED UP may be notable for being entirely shot on an iPhone, the Jaume Collet-Serra produced film is much more than that. Sporting great scares and greater twists, HOOKED UP is one of the subgenre’s highlights, anchored by a pair of phenomenal performances by the likes of actors Stephen Ohl and Jonah Ehrenreich. The duo add a natural chemistry to the proceedings, and when the other shoe for the fright flick drops, Ohl and Ehrenreich deliver. With the film debuting on VOD tomorrow, FANGORIA caught up with Ohl to talk HOOKED UP, shooting in Barcelona and when life briefly imitated art while filming…

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    Exclusive Trailer: John Portanova’s “VALLEY OF THE SASQUATCH”

    There’s few subgenres that have seen such an unexpected resurgence as the bigfoot horror film, with the prolific one-two punch of Bobcat Goldthwait’s WILLOW CREEK and Eduardo Sanchez’s EXISTS leading the way last year. However, a new contender is throwing their hat in the ring in 2015, with horror collective The October People’s latest eerie outing, VALLEY OF THE SASQUATCH. And now, FANGORIA has the exclusive first trailer for John Portanova’s sasquatch scare fare, which you can give a look below!

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    Contest: Win a Horror Digital HD Prize Pack!

    Hello, beasts and ghouls! Though FANGORIA tries to keep you up with the latest and greatest horror happenings from around the world, we understand how difficult (and expensive) it is to see all the scare fare the world has to offer. So FANGORIA has decided we’re going to give a lucky fan a chance to increase their libraries with a Digital HD prize pack of five fright flicks with a monthly give-away!

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    Easter Goes to Hell with Chris Sato’s “BUNNY”

    Holiday-themed horror films are always fun; they appeal to both filmmakers and filmgoers for their ability to distort and subvert social and/or religious traditions and iconography. By now, most major American holidays have either one or various fright films dedicated to transgressing their sacred status: Christmas has SILENT NIGHT, DEADLY NIGHT, Valentine’s Day has MY BLOODY VALENTINE, and Halloween has that one movie… y’know, the one with the guy who’s got the mask and knife and he’s chasing the babysitter around… I can’t remember the name of it…

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    FANTASTICA Q&A: Bill Plympton talks “CHEATIN'”, Part One

    As filmmakers change with the times, it’s not often that a classically-informed filmmaker will retain their talents and sensibilities to their fullest extent. This is even more rare when it comes to animation, especially as the production side of things jumps from hand-drawn to digital. But luckily for audiences, Bill Plympton is that rare case, with his unfiltered, mature cinematic voice still in tact for his latest surreal animation outing, CHEATIN’. With CHEATIN’ now in theaters, FANTASTICA recently caught up with Plympton to talk animation, humor and why America needs animation for adults…

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    Exclusive Pics: Etheria 2015 Headliner, Australian Horror Feature “INNER DEMON”

    “You Don’t Have To Die To Go To Hell”

    The second film in Ursula Dabrowsky’s DEMONS Trilogy, INNER DEMON, will have its North American Premiere at the 2015 Etheria Film Night showcase in Los Angeles, California on June 13. American horror fans will be shaken and thrilled by the latest fantastic horror film from Down Under with the director in person.

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    “BATES MOTEL: Season 3, Episode 4″ (TV Review)

    After a strong pair of Norman-centric episodes and one weak Norma-and-Romero-centric episode, BATES MOTEL once again kept it’s stride going into its fourth week with a fairly Dylan-centric episode that definitely played to the character’s strength. While everyone does have a chance to shine in this episode, named “Unbreak-able”, there’s much progress made on a narrative and emotional level with Dylan this episode that the oft-brooding character essentially steals the show and offers just the right amount of credible vulnerability. And in doing so, we also get a better insight into Caleb, a character once set up as an underlying antagonist but is now revealing himself to be nothing more than a time capsule of Norma’s maturation.

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