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    Eli Roth: Little Trouble in Big China

    Since the launch of his viral marketing campaign for THE LAST EXORCISM, which favored post-viewing tweets from horror fans over professional critical consensus, Eli Roth’s philosophy as a producer has championed the democratization of film spectatorship. That attention to a multiplicity of voices has informed the bulk of his moviemaking process as well, including his stint co-writing and producing RZA’s directorial debut THE MAN WITH THE IRON FISTS (out on theatrical-cut and unrated DVDs and Blu-ray/DVD combo from Universal Studios Home Entertainment today). Fango spoke with Roth about the ins and outs of that process during his work in China for RZA’s dream project, and the themes and cultural influences that pervade his filmography.

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    Fango editor explores “THE TWILIGHT ZONE LEGACY” in new book

    FANGORIA’s Chris Alexander  delves into one of the all time greats.

    An exhaustive tome, THE TWILIGHT ZONE LEGACY aims to take readers episode-by-episode, as accompanied by both traditional guide and interviews and essays with celebrities of every kind, from every corner of the pop culture spectrum, citing their personal favorite episodes and the effect they had upon them personally and professionally.

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    Rotterdam Q&A: Richard Raaphorst on “FRANKENSTEIN’S ARMY”

    “I hope you will be just as scared as I am
    right now, standing in front of you all!” Dutch director Richard Raaphorst sure
    knew how to introduce the world premiere of his film at the International Film
    Festival in Rotterdam. While FRANKENSTEIN’S ARMY might not be as nerve-racking
    as the première of your first horror flick, it sure is a hell-of-a-lot of fun.

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    “HALLEY” (Rotterdam Movie Review)

    The International Film Festival Rotterdam (IFFR) is known throughout the world for its all-encompassing program: all genres, from all seven continents. Well, to be honest we haven’t heard anything from Antarctica for a while now, but they’ll be back, rest assured. As always the focus in this year’s 42nd edition rests on human interest, but as far as genre films are concerned, there’s enough to keep us interested. HALLEY, for example, is a very bleak Mexican horrordrama that will make you think twice about dreaming of life eternal.

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    Walter Hill’s “BULLET” Ballet

    2013-02-01 21:41:09

    Veteran action director Walter Hill has been staging mayhem
    in Louisiana for several decades now. His debut at the helm, 1975’s HARD TIMES,
    was shot in New Orleans; he ventured into the bayou for the 1981 action/horror
    hybrid SOUTHERN COMFORT; and went back to the Big Easy for 1989’s JOHNNY
    HANDSOME. Now he’s making the city’s streets run red again with the Sylvester
    Stallone-starring revenge thriller BULLET TO THE HEAD, his first feature in 10
    years, which he talks about in this exclusive Fango interview.

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    Women in Horror 2013: Danielle Panabaker, Not Just One of the “GIRLS”

    Danielle Panabaker has been terrorized on screen by infected maniacs, killer fish and a certain hockey-masked Mr. Voorhees over the past few years, but now she’s the one dispensing death in GIRLS AGAINST BOYS. The actress discusses her starring role in the vigilante shocker, opening today from Anchor Bay Films, in this exclusive interview.

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