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    Q+A: The Director of “CHUCK NORRIS VS.COMMUNISM” talks 80s exploitation, media revolution and Indiegogo

    There is a synchronicitous plethora of films either just released or in the works about the 80s VHS explosion – from Josh Johnson and Carolee Mitchell’s SXSW hit REWIND THIS to Mike Malloy’s PLASTIC MOVIES REWOUND, Dan Kinem and Levi Peretic’s ADJUST YOUR TRACKING and Mark Hartley’s Cannon Films-focused ELECTRIC BOOGALOO – but while there’s no doubt that all these films document a game-changing media revolution whose practical and nostalgic effects linger on today, how many of their directors can  claim that VHS actually helped to overthrow a totalitarian regime in their country? Ilinca Calugareanu can.

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    Report: Stranger With My Face Horror Film Fest 2013

    Down under Down Under sits the island of Tasmania; if you go any further south, you’re only likely to encounter Japanese whaling ships before hitting the ice floes of Antarctica. It’s the end of the Earth—or, as director Jennifer Lynch, special international guest of this year’s Stranger With My Face Horror Film Festival, optimistically suggests, “It could be the beginning.”

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    Q&A: “HEMLOCK GROVE” Actress Kandyse McClure

    In HEMLOCK GROVE, the small town of the title finds itself enmeshed in a wave of murders, monsters, secret experiments and more. Looking into all the strangeness—or perhaps helping perpetuate it—is Dr. Clementine Chasseur, played by Kandyse McClure, who spoke to FANGORIA about her role and other genre credits—including a pair of Stephen King remakes.

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    “MR. JONES” (Tribeca Movie Review)

    Seemingly the most divisive midnight/horror offering at the Tribeca Film Festival this year, MR. JONES has garnered reaction across the spectrum. What’s odd though is how in polite conversation, most have refrained from mentioning just how admirably weird Karl Mueller’s sort-of found footage feature debut gets in its second half. MR. JONES is a strange beast and for better or worse—or however you come out of it—refreshing in that it’s a fairly unique, Lynchian addition to the current glut of docu-style terror.

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    Fairuza Balk gets a “DOSE OF REALITY”

    The line between thriller and horror is finite and often subjective and here at FANGORIA laboratories. We are often in horn-locked debate over what we should cover and what we should leave on the shelf. In the case of the indie flick DOSE OF REALITY, the plot synopsis might normally make us shy away. In it, two greaseballs running a fleapit bar are getting ready to close up for the night, when a wild eyed woman emerges from the ladies room saturated in blood and claiming to have been attacked. As the men try to alternately come to her aid and figure out if she’s telling the truth, the damaged damsel begins slowly, surely turning tables around, even overturning them as a bizarre dialogue driven, psychological cat and mouse drama plays out.

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