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  • Q&A: Adam Green on “DIGGING UP THE MARROW”, Part One

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    Whether you like his work or not, there’s a certain level of respect owed to Adam Green with his latest film, DIGGING UP THE MARROW. Since the project’s inception, Green has championed Alex Pardee’s importance to MARROW as an integral part of its conception, development and eventual creation, so much so that Green and Pardee are bringing MARROW on the road alongside with Pardee’s art and other exclusives strictly available during their TOURING THROUGH THE MARROW experience. In light of the tour’s imminent start, as well as the DIGGING UP THE MARROW’s impending release, Green spoke to FANGORIA for a lengthy, two-part interview about how MARROW came to be, and how the film has become Green’s most personal project to date…

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  • For Your Consideration: The 2015 Chainsaw Award Nominees for Best Actress in a TV Series!

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    While some horror fans write-off the Chainsaw Awards (and likely, most award shows in general), others take genuine pride in voting for the Chainsaws, especially considering how under-represented the genre is among celebratory measures. This is even more true for actresses in the horror genre; even universal praise for an actress on a horror series will more than often be disregarded come award season time. But that doesn’t mean they are ignored by the fans, who tune in every week to see these hard-working women pay their dues in a sometimes thankless genre. Therefore, FANGORIA would like to take some time to shine a light on these women and their stellar performances on television in 2014…

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  • Stream to Scream: “THE LOST”

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    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s available, FANGORIA is taking in-depth looks at some of the channel’s terrifying titles with Stream to Scream. Today: Chris Sivertson’s disturbing domestic horror THE LOST.

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  • Women in Horror Month: Stephanie Rothman, The Feminist Queen of Exploitation Cinema

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    While February is commonly considered to the Black History Month, genre fans have also adopted the month for another cause: Women in Horror Month, recognizing and celebrating the often underappreciated women who help make the genre what it is today. While by no means demeaning the work of men within the genre, Women in Horror Month asks horror fans to turn their eyes beyond just the scream queens and final girls, but rather to the hard-working women who struggle to make great work specifically for the genre they love. Therefore, FANGORIA is celebrating Women in Horror Month by shining a light on some of the most instrumental women to the development of horror as we know it…

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  • Event Report: Vinegar Syndrome Presents “DON’T GO IN THE WOODS” at Alamo Drafthouse Yonkers!

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    New York area FANGORIA fans are likely (or if not, should be) aware of the Alamo Drafthouse Yonkers, our favorite purveyors of specialty and dine-in cinema. And if they are, they’re likely not to miss out on some of horror’s most excellent revival screenings, including those by FANGORIA, Video Vortex and Vinegar Syndrome. And it’s the latter that brought this writer out to the Drafthouse last Saturday, as I served as host to Vinegar Syndrome’s screening of the newly remastered cult classic DON’T GO IN THE WOODS.

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  • Exclusive teaser trailer, new poster: Bill Moseley in “THE CHURCH”

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    We previously told you here about THE CHURCH, a religious horror film featuring such genre mainstays as Bill Moseley, Clint Howard, Lisa Wilcox from A NIGHTMARE ON ELM STREET 4 and 5 and THE HUMAN CENTIPEDE’s Ashley C. Williams. Now we’ve got a new teaser trailer to show you exclusively, plus the latest poster and an update from the filmmaker.

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  • CHRISTINE Revisited, Part One: A Q&A with Keith Gordon

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    Thirty years ago, director John Carpenter took to the driver’s seat in adapting one of Stephen King’s most successful novels from the early ‘80s: CHRISTINE. The result: a taut, beautifully realized film that was not only a top notch horror flick, but a brilliant exploration into America’s romance with the automobile! CHRISTINE is all about possession and obsession, and the monster herself sets her high beams on the pathetic miserable Arnold Cunningham. Transforming for the worse as a result of “owning” the titular ’58 Plymouth Fury, Keith Gordon gave life to Arnold Cunningham all those years ago, and recently spent some time with FANGORIA to revisit his past love- that sleek, sexy but sinister CHRISTINE…

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