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    “COLLAPSED” creator talks new projects; exclusive poster and art

    One of the most impressive indie genre films to come out of Canada in recent years was Justin McConnell’s THE COLLAPSED (pictured above), and while the filmmaker was visiting Montreal’s Fantasia festival this week, Fango got the scoop on his next couple of projects; he also gave us the exclusive first look at poster and promo art for them.

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    Trailer: Vincenzo Natali’s “HAUNTER”; A ghost story told from the other side

    A great deal of haunted house pictures see a family move into a perfect new home, only to find they’ve got a restless roommate. Spooky things abound and ultimately it’s realized the entity needs some sort of help. The new film from acclaimed (and deservedly so) CUBE and SPLICE director Vincenzo Natali, appropriately titled HAUNTER, aims to tell that familiar tale from the other side.

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    Q&A: Actress Lake Bell Talks Surviving “BLACK ROCK”

    Lake Bell is a familiar face from televised drama (BOSTON LEGAL, the sci-fi series SURFACE) and comedy (HOW TO MAKE IT IN AMERICA, CHILDRENS HOSPITAL), and lighthearted big-screen fare like IT’S COMPLICATED and NO STRINGS ATTACHED. For her first venture into serious screen thrills, she joined director/actress Katie Aselton and Kate Bosworth in the survival saga BLACK ROCK, out today on DVD, Blu-ray and digital download from Lionsgate.

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    “WILLOW CREEK” (Fantasia Movie Review)

    Considering that the Patterson-Gimlin film clip of a wandering Bigfoot is perhaps the most famous bit of amateur monster footage in history, it’s surprising that a modern vérité horror film hasn’t directly spun off from it until now. And just as surprising is that the man who has done so is Bobcat Goldthwait.

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    Excl Comments, First Poster: Justin Beahm’s “BLOOD FLOWER”

    Having previously helmed HALLOWEEN-centric doc, YOU CAN’T KILL THE BOGEYMAN, Fango contributor and Scream Factory special features mainstay Justin Beahm is getting underway on his narrative directorial debut BLOOD FLOWER. An apparently grisly tale of bloodshed as a means of achieving artistry, the filmmaker gave us a bit of insight on what to expect.

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    [TIFF '13] Vanguard Section includes “HORNS,” “STRANGE COLOUR,” “THE SACRAMENT” & More

    It’s a Toronto-centric morning as the prestigious festival announces its slate and as per usual, Midnight Madness can’t contain all the horror. The Vanguard section sees the world premiere of Alexandre Aja’s Joe Hill-adaptation, HORNS, the North American premiere of the latest film from neo-giallo filmmakers Hélène Cattet & Bruno Forzani, THE STRANGE COLOUR OF YOUR BODY’S TEARS and Ti West’s highly anticipated THE SACRAMENT. Find new photos from the latter film below!

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    [TIFF '13] First photos from McKee & Sivertson’s “ALL CHEERLEADERS DIE”

    Lucky McKee and Chris Sivertson, two filmmakers made their marks with lasting Jack Ketchum adaptations (THE WOMAN and THE LOST, respectively), have reunited to remake their 2001 microbudget feature ALL CHEERLEADERS DIE. Now, the revamped vision is the opening the Toronto International Film Festival’s storied Midnight Madness program and with the announcement, comes our first good looks.

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    [TIFF '13] New works from Lucky McKee, Sion Sono and Eli Roth lead Midnight Madness!

    Few festivals’ midnight program has a reputation like the Toronto Interntational Film Festival’s Midnight Madness. Influential, exciting and like any good slate, always globe-spanning, this year is no different as it features highly anticipated premieres (Eli Roth’s first directorial feature in eight years) and smaller works from brand new talent.

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