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  • FANGO Flashback: Lucio Fulci’s “CITY OF THE LIVING DEAD”

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    If it’s not an endurance test on your gag reflex, then a Fulci film it is not. The Italian master of gooey, gory cinema, Fulci may not be known for having the most ironclad stories in horror history as films like CITY OF THE LIVING DEAD run low on sense and high on intensity. Conversely, Fulci embraced the power of dream logic, using it as a launching point to tell tales of suspense and fear with beautiful visuals, nail-biting set pieces and a sheer disregard for good taste. And as any fan of the bonkers, occasionally long-winded CITY OF THE LIVING DEAD can tell you, Fulci puts his heart and soul into every frame of his films, which allows them to resonate and build his cult following even today.

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  • Exclusive Clip: Ben Jehoshua’s Creepy Kid Chiller “THE CHOSEN”

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    Ever since THE EXORCIST changed the game over 40 years ago, there’s nothing quite like a child possession film to tap into the fears that so many have for their brothers, sisters, and children. Now, a new demonic force looks to rise in Ben Jehoshua’s THE CHOSEN, which looks to explore a whole new mythology in regards to demons and their desire for young souls. And with the Kian Lawley-starring film hitting theaters and VOD this week, FANGORIA is proud to premiere an exclusive clip from the fright flick!

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  • The Cutting Room: Neil Gaiman talks “AMERICAN GODS”, Bryan Fuller’s Adaptation and Sequel Novel

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    Welcome to THE CUTTING ROOM, a new weekly column on FANGORIA.com that highlights the stories that most share DNA of our print counterpart. Rather than just feature the features, articles and interviews that didn’t make the cut, this column is dedicated to providing a greater lifeline between FANGORIA Magazine and FANGORIA.com.

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  • Geeknation Renews “HOLLISTON” For Third Season, Ariescope Original Programming Now Live

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    As fans of Adam Green and Joe Lynch’s podcast THE MOVIE CRYPT can tell you, 2014 was not the best year for the pair of fright filmmakers. After the dissolution of the independently produced show’s network, FEARnet, and the tragic death of HOLLISTON castmember Dave “Oderus Urungus” Brockie, HOLLISTON was left in limbo while Green and Lynch turned their attention to finishing their films DIGGING UP THE MARROW and EVERLY, respectively. However, after a long time of hints and teases, fans of HOLLISTON will be elated to know that the show will indeed return for a third season on Geeknation’s digital platform as exclusively revealed by Entertainment Weekly.

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  • Stream to Scream: “HABIT” (1995)

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    When a name like “Larry Fessenden” comes to mind, many different people can think of many different things. To some, Fessenden is a virtuoso character actor, slipping into small yet great (and often charismatic) roles into a myriad of horror projects, whether it be a lead role in Glenn McQuaid’s I SELL THE DEAD or a scene-stealing cameo on an episode of THE STRAIN. To others, Fessenden is a miniature magnate of independent horror, with his Glass Eye Pix production company helping launch the careers of Ti West, Jim Mickle and many more. But what Fessenden should be best known as is one of the best independent directors in the genre today, and an excellent example of that reputation is his 1995 psychosexual vampire film, HABIT.

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  • Exclusive Q&A: Lloyd Kaufman talks Tromadance and “RETURN TO NUKE ‘EM HIGH” release

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    Unfiltered, honest and completely off the wall, there’s little question as to how Troma reflects the ideals and personality of the company’s fearless leader, Lloyd Kaufman. Aside from being a champion of independent film for over 40 years, Kaufman has also helped redefine the boundaries of genre filmmaking, implementing the splattery aesthetics of horror films and the raunchy humor of ‘80s sex comedies into genuinely satirical material. And it’s that love for counterculture and the brilliance of conveying high-brow social commentary into low-brow midnight movies that fuels this year’s Tromadance Film Festival, which hosts one of the most impressive line-ups in its 16-year legacy in 2015.

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  • Contest: Win a Copy of Jess Franco’s “THE EROTIC RITES OF FRANKENSTEIN” from Kino Lorber!

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    If you’re a Jess Franco-phile, you are well aware of his varied phases, depending on the time a picture was shot, where it was shot, for whom it was shot and, of course, for how MUCH it was shot for. But out of the 200-plus films Franco made before his passing, the ones produced during his post-Harry Alan Towers period of the early 1970’s were among his most daring and bizarre.

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