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    Q&A: Frank Henenlotter in Chicago this weekend, talks “BASKET” and “BRAIN”

    For decades, horror fans around the world have been inspired by the demented genius of writer/director Frank Henenlotter (BASKET CASE, BRAIN DAMAGE, FRANKENHOOKER). More than anything, perhaps, Henenlotter’s put-upon freaks of nature and sophisticated monsters have given awkward high school students and budding filmmakers characters that they can relate to.

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    Kris Lemche: Proving “THE FRANKENSTEIN THEORY”

    Found-footage movies tend to be cast with unknown, unrecognizable actors for that realistic feel, but the lead in the new THE FRANKENSTEIN THEORY will be a familiar face for many horror fans. Kris Lemche, whose credits include GINGER SNAPS and FINAL DESTINATION 3, toplines this Mary-Shelley-meets-BLAIR-WITCH project, and discusses it in this exclusive Fango interview.

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    Women in Horror ’13: Julianne Moore’s “6 SOULS” Searching

    In a career that has encompassed nearly every conceivable type of part, Oscar-nominated actress has made regular stops in the horror genre, from her early role in TALES FROM THE DARKSIDE: THE MOVIE to the upcoming remake of CARRIE. This week, she’ll be seen as the star of 6 SOULS, which hits VOD Friday, March 1 and select theaters April 5 from Radius-TWC, and which she spoke about in this exclusive Fango interview.

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    First Fango Set Visit: SXSW Horror “HAUNTER”

    It is a conventional stance of Hollywood ingenues to rise to prominence through roles in horror movies, only to disparage their genre origins once presented with opportunities more palatable to the mainstream. This is refreshingly not the case with Abigail Breslin, teenage star of ZOMBIELAND and Oscar nominee for her precocious performance in LITTLE MISS SUNSHINE, whom Fango catches up with on the set of Vincenzo Natali’s HAUNTER.

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    Q&A: Eli Roth, producing “THE LAST EXORCISM PART II”

    This year, audiences awaiting the return of Eli Roth find an embarrassment of riches. On the directorial end, there’s both werewolf-in-a-steel town Netflix original series HEMLOCK GROVE and his Amazonian cannibal odyssey, THE GREEN INFERNO. The sometimes actor scripted and stars in Nicolas Lopez’s Chilean earthquake picture AFTERSHOCK and most relevantly, has lent a guiding hand to emerging talent, producing Ti West’s upcoming THE SACRAMENT and the sequel to one of the more undervalued of recent American genre films, THE LAST EXORCISM PART II (out March 1st). It’s this tale of Southern gothic that has Fango speaking to Roth about his own investment in continuing Nell Sweetzer’s story, how audiences approach foun footage, that which he’s never seen before in a possession film and what his producing legacy aims to be.

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    EXCL Audio: Fede Alvarez talks “EVIL DEAD”

    Hot on the pencil-poked heels of our cheerfully repugnant EVIL DEAD cover announcement, FANGORIA Editor Chris Alexander tracked co-writer/director Fed Alvarez to his home in Uruguay to talk about his hotly anticipated gore-caked remake.

    Here then, is an exclusive audio chat with Alvarez, in which he talks about life in Raimi-ville, the pressure of the fevered EVIL DEAD fanbase and the sting of the MPAA. Enjoy!

    For much more on EVIL DEAD see the aforementioned FANGORIA #322 (on sale in March) and keep an eye on Fangoria.com as its SXSW world premiere fast approaches.

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    Q&A: Rob Himebaugh on his Bigfoot short, “EAGLEWALK”

    Writer/director Rob Himebaugh’s thesis film EAGLEWALK has been stomping its way across North America in a momentum-gathering festival run, leaving a strong buzz in its wake. The film aims to revive the Sasquatch subgenre, taking an often playfully handled beastie and returning it to its sinister roots. This is what a Bigfoot movie should be. Frightening, taut, and fun.

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    Women in Horror ’13: Q+A with Adele Hartley of Scotland’s Dead by Dawn Festival

    Dead by Dawn celebrates its 20th anniversary this year, making it one of the UK’s longest-running genre events. We talk to the one-woman force behind Dead by Dawn, Adele Hartley, about the festival’s history, the challenges of being a woman in a male-dominated industry, and what we can expect as part of this year’s anniversary festivities.

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    Women in Horror ’13: Tammi Sutton on a career in Horror and “ISLE OF DOGS”

    Having worked in all areas of filmmaking—from acting to production design on up— Tammi Sutton’s been called the busiest woman in B horror. Now, she’s further making a name for herself as a writer and director with well received festival film, ISLE OF DOGS. FANGORIA spoke with Sutton to see what advice this renowned female horror filmmaker could give to hopefuls everywhere.

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    This Oscar weekend, watch “THE CABIN IN THE WOODS”

    Fully believing much of the Academy Awards serves as a posturing, self-congratulatory experience—as well as a ridiculous one, as this enlightening interview with an anonymous voter serves to highlight the fickle, ridiculous justifications for his choices—I also believe, and understand, there is an overt difference between a true snub and what I’d just really like to be awarded. This year, far under the categories most spend their time debating is a truly disappointing case of hard, marvelous work being overlooked.

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