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    Stream to Scream: “THE TOMB”

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s available, FANGORIA is taking in-depth looks at some of the channel’s terrifying titles with Stream to Scream. Today: Michael Staininger’s Poe possession tale THE TOMB!

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    Fantastic Fest Shorts Preview: Ben Steiner and “THE STOMACH”

    You’ve not seen a medium like this. Ben Steiner’s THE STOMACH, likely described as a genre hybrid and seamless in being such, is a fantastic and fantastical piece of work. Whereas spiritualists and psychic mediums are often romanticized, or at the very least cast in a more classical horror light, this stark short presents a harsher, sadder existence. One where the gift manifests in a strange, abject manner and the person its bestowed on is at the mercy of those with nefarious needs.

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    Mixtape Macabre: “Revenge of The Host” Double Feature

    Welcome to Mixtape Macabre, an ongoing column in which FANGORIA examines and recommend cinematic soulmates to horror fans, whether it be through anthology mixes, double features, or other fun moviewatching experiments. In doing so, we hope to give horror fans a new reason to revisit our favorite frighteners, and perhaps even make a macabre mixtape of their own.

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    Shadowvision: “RE-ANIMATOR”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Q&A: Joe Dante Talks “BURYING THE EX” – Part Two

    Yesterday, we ran an interview with maverick monster movie legend Joe Dante (GREMLINS, THE HOWLING, THE BURBS) conducted while on set filming his latest twisted horror/comedy BURYING THE EX, a new zombie romance  starring Anton  Yelchin (ODD THOMAS) and Ashley Greene (TWILIGHT) in a tale of a lad who can’t get enough of his livid, living dead ex-lady love. Today, as the film premieres at the 71st Venice International Film Festival, we follow-up with the filmmaker in a new interview conducted just days ago, wherein Dante reflects on what the movie became after post-production.

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    TIFF ’14: Programmer Colin Geddes Previews MIDNIGHT MADNESS

    Each year, programmer Colin Geddes storms the Toronto International Film Festival with what he calls “ten nights of cinematic insanity from around the world.” His Midnight Madness boasts over 20 years of taste making behind it, premiering highly anticipated films, introducing audiences to new voices and generally being the rowdiest of TIFF programs. The 2014 iteration of Midnight Madness sports buzzed titles like TUSK, [REC] 4 and IT FOLLOWS; possible discoveries CUB, giallo comedy THE EDITOR and BIG GAME; fest favorites THE GUEST and WHAT WE DO IN THE SHADOWS; and more. As opening night, with Sion Sono’s TOKYO TRIBE, approaches, Fango spoke to Geddes about the films in store and process of putting it all together.

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    Joe Dante Talks “BURYING THE EX” – Part One

    FANGORIA had the unique chance to chat up legendary genre film force Joe Dante (PIRANHA, THE HOWLING, GREMLINS) about his latest picture, the LA-shot BURYING THE EX, not once, but twice. The first time, Fango’s David Ian McKendry grilled the man on set , in the midst of making his movie last year. The second, FANGORIA editor Chris Alexander trapped Joe while he was on the cusp of screening the finished film in Venice (it screens tomorrow as part of the Venice Film Festival). Here then is David’s on-set verbal ping-pong with the man…

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    Exclusive Q&A: Alexa Vega on “THE REMAINING”

    Having been a part of the film business for over 20 years now, Alexa Vega is a name and face familiar to genre fans. From her multiple collaborations with Robert Rodriguez, the most recent being SIN CITY: A DAME TO KILL FOR and MACHETE KILLS, or her work with Darren Lynn Bousman on THE DEVIL’S CARNIVAL, MOTHER’S DAY and REPO: THE GENETIC OPERA, Vega has used the latter part of her career to redefine herself as an actress worth taking seriously.

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