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  • Toys of Terror #119

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    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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  • Philadelphia Unnamed Film Festival Presents: “EGOMANIAC” & The Meta Revenge Film!

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    Horror films have always excelled at exploring the fragility of sanity. No other genre ventures into the unspeakably dark crevices of the human mind with the naked curiosity that horror does. Nor does any genre make the descent into madness as much fun as it is with horror. Enhancing that fun factor is filmmaker Kate Shenton, who marries horror and comedy in her debut fictional film, EGOMANIAC, which will have it’s North American premiere on October 7th during the Philadelphia Unnamed Film Festival.

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  • The Dreadful Ten: 10 More Horror Films We Hope You See in 2016!

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    Earlier this year, FANGORIA offered up ten of our top recommendations from the 2015 festival circuit to look out for in 2016. Fortunately, half of those fright films were either released or picked up for distribution and might just be available before the year is out. But in the months since, FANGORIA has been to festivals, conventions, and screenings around the world, and so, we’ve assembled a new batch of terror titles to hopefully look out for before 2017 is upon us!

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  • The Dreadful Ten: 10 Horror Films About Killer Careers!

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    The work we accomplish in our careers is supposed to be what fulfills us. But isn’t there an uncomfortably obsessive quality to our work habits? Do the problems at work not have an unnervingly gum-like consistency, so that we find they’ve stuck to us and entered into our home with us? Think of the sleepless nights you’ve spent, dreading the presentation you must deliver tomorrow or the avalanche of paperwork that waits atop your desk. The fear of failure has become a modern day boogeyman, keeping us up at night with its whispering in the dark.

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  • Exclusive Q&A: Filmmaker Todd Nunes on “ALL THROUGH THE HOUSE”, “DEATH WARD 13”

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    DON’T LOOK IN THE BASEMENT, the 1973 cult-classic, horror flick is getting a millennial make-over; promising to deliver the scares, suspense, and shocking twists of it’s predecessor…and them some. Todd Nunes, writer/director of the soon to be released, award-winning Christmas slasher, ALL THROUGH THE HOUSE, has officially confirmed that his latest film DEATH WARD 13 is not only a re-imagining, but a continuation of DON’T LOOK IN THE BASEMENT.

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  • Toys of Terror #115

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    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

    Read more »
  • The Dreadful Ten: 10 Must-Own Horror Blu-rays of Summer 2016!

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    With Autumn right around the corner, Blu-ray collectors in the horror community are debating what scare fare to best spend the rest of their summer with. Alas, with the majority of collectors operating off a living wage, not every terror title that hits high-definition can fit within their expendable income. Therefore, FANGORIA has rounded up ten of Summer 2016’s best Blu-ray offerings to help fright fanatics make the right choice for their creepy collections.

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  • FANGORIA Podcast Network: “THE RANTS MACABRE” Rides With Road Horror!

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    For this week’s episode of THE RANTS MACABRE, Darren & Mindy take gears up for a trio of Road Horror offerings. First up, our demonic duo gets trapped by Rob Schmidt’s 2003 macabre mutant movie WRONG TURN. Next, Darren & Mindy move on to SCENIC ROUTE, the intense psychological thriller from The Goetz Brothers. Lastly, the horror hosts revisit the ’70s horror/action hybrid RACE WITH THE DEVIL!

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  • The Dreadful Ten: 10 Twisted Contemporary Fairy Tales

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    The line between horror and fantasy is so easily blurred that it can be hard to tell where one ends and the other begins. Even children’s fairy tales, intended to be magical instead of scary, can be chill-inducing. Think of the living puppet Pinocchio, originally from Carlo Collodi’s 1883 children’s book. Pinocchio meets with a happy ending when he is turned into a human boy at the tale’s end. But are any of us really comfortable with inanimate objects like dolls coming to life in the first place?

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  • The Dreadful Ten: 10 Anticipated Films at Fantasia 2016!

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    The 20th Fantasia Film Festival began this weekend, and I’m on my way there right now. In an attempt to filter my overwhelming excitement into something productive, here’s a list of the top ten movies I cannot wait to see in Montreal over the next couple weeks. I’ve decided to leave off some of the awesome screenings at Fantasia that you’ve already heard about — like LIGHTS OUT and BEFORE I WAKE, the films you’re going to be seeing soon in mainstream multiplexes. Instead of those, I pored over the Fantasia program for the hard-to-see films I’m really excited for and some upcoming movies that might not be on your radar yet…

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  • Crossing Over: “THE HATEFUL EIGHT”

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    Welcome, FANGORIA Readers, to CROSSING OVER, a column that highlights the films, series and content out there outside of horror that is fashioned towards or pays tribute to our beloved genre. By shining a light onto these projects, FANGORIA hopes to open a world of entertainment perfect for fright fans that lies just beyond the borders of the horror community. So without further ado…

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  • The Dreadful Ten: 10 Scandinavian Fright Films You Should See!

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    While the US may be the leading exporter of horror films, it hardly has a corner on the market.  Many other countries have thriving horror film industries. Canada, UK, Australia, Japan, and more all have a fascination for fear which plays out in their native film genres. These horror films sometimes differ greatly in source materials, often taking from local myths and legends that are regionally specific. But where these films may differ thematically, they all share a global love for the macabre.

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