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    Q&A: Abigail Breslin on Playing Undead for “MAGGIE”

    To play a teenager slowly succumbing to a zombie virus, who better to cast than a young actress who considers THE EXORCIST a bedtime story? Starring opposite Arnold Schwarzenegger in MAGGIE, Abigail Breslin is a living dead girl who’s heartbreaking rather than horrifying, and took some time to talk to FANGORIA in this exclusive interview.

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    Q&A: Director Hilla Medalia Talks “THE GO-GO BOYS: THE INSIDE STORY OF CANNON FILMS”

    Tel Aviv-based documentarian Hilla Medalia’s THE GO-GO BOYS, a critically acclaimed look at the wild lives of Cannon Films bigwigs Menahem Golan and Yoram Globus, has its Canadian premiere next Wednesday, May 6 (it also plays May 9) at the Toronto Jewish Film Festival, and FANGORIA spoke to Medalia to mark the occasion.

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    Nightmare Anniversary: 10 Years of “THE DEVIL’S REJECTS” and its Southern Fried Soundtrack

    Welcome to Nightmare Anniversary, where FANGORIA looks back at film’s celebrating special anniversaries this year and toast to the times in which they were released. What skeletons remain in the closet of the fright films we love so dearly? That’s what Nightmare Anniversary aims to dig up.

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    Shadowvision: “MARY SHELLEY’S FRANKENSTEIN”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition

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    FANTASTICA Presents: The Empire Way, or Retro Mockbuster Master

    Among the horror community, as well as savvy film goers in general, the production entity known as The Asylum has either one of two definitions. The first definition, and most common, is that of a rip-off artist, using similarly titled and themed premises to big budget films to release to crowded video marketplace to prey off of the confused and inattentive. The other, and more complimentary, is that of a new age schlockhouse, blending the economic strategy of New World Pictures with the needs of the “so bad its good” subculture to create these so-called “mockbusters”.  And while both definitions have their supporters, the one thing The Asylum doesn’t get (and almost proudly so) is respect, even if their post-SHARKNADO success has earned it begrudgingly from the industry itself.

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    FANGO Flashback: “CHILD’S PLAY”

    While the horror genre has its fair share of great sequels, prequels, spin-offs and reboots, there’s nothing quite like the original. Yet sometimes, after seeing some of the insane or bizarre places a fright franchise can go, memories of the original can become cloudy or perhaps even heightened in status without a proper and timely re-examination. But then there are the fright franchises that have always had that weird subversive streak to them, and there’s few whose concept has helped usher in such eerie and odd material as well as CHILD’S PLAY.

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    Event Report: Rare, Uncut 35mm Screening of “HARDWARE” at Alamo Drafthouse Yonkers!

    With the recent release of LOST SOUL, the documentary about troubled production behind 1996’s THE ISLAND OF DOCTOR MOREAU, the interest in the work of director Richard Stanley has experienced a revival among the genre community. And with said renewed interest are coming new opportunities to experience said work, including an impending Blu-ray rerelease of DUSTDEVILS and more projects on the horizon. But FANGORIA recently had the chance to experience one of Stanley’s most beloved works, HARDWARE, in a way very few U.S. audiences have as the Alamo Drafthouse in Yonkers presented a rare, uncut 35mm print of the film on the big screen!

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    Stream to Scream: “EDDIE: THE SLEEPWALKING CANNIBAL”

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu Collection. To give you a better idea of what’s available, FANGORIA is taking in-depth looks at some of the channel’s terrifying titles with Stream to Scream. Today: Boris Rodriguez’s EDDIE: THE SLEEPWALKING CANNIBAL!

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    Director Jack Sholder remembers “THE HIDDEN,” playing Chicago this weekend

    Movies like ALONE IN THE DARK and A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE have secured eclectic director Jack Sholder a permanent position in many a genre fan’s horror hall of fame. But, Sholder, whose less recognizable yet enjoyable credits include WISHMASTER 2: EVIL NEVER DIES, ARACHNID and the killer-shark telemovie 12 DAYS OF TERROR, is especially and justifiably proud of his work on 1987’s THE HIDDEN, New Line Cinema’s popular science fiction/action/horror hybrid.

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    Shadowvision: “INSIDIOUS”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

    Read more »
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    Stream to Scream: “SCANNERS III: THE TAKEOVER”

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu Collection. To give you a better idea of what’s available, FANGORIA is taking in-depth looks at some of the channel’s terrifying titles with Stream to Scream. Today: Christian Duguay’s SCANNERS III: THE TAKEOVER!

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