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    30 for 31: “SSSSSSS”

    The Season of the Witch is upon us, ye olde FANGORIA readers! To many, Halloween means candy, costumes and creepshows of all sorts. But to the staff at FANGORIA, Halloween can mean something more entirely. Therefore, we present 30 for 31, in which FANGORIA recounts the cinema that most strongly represents what Halloween means to us.

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    30 for 31: “DEAD OF NIGHT” (1977)

    Like many great discoveries throughout history, I stumbled upon DEAD OF NIGHT completely by accident. I was actually trying to hunt down a copy of Simon Hunter’s DEAD OF NIGHT from 1999, and knowing how rare and expensive that film could be, I headed to my favorite video store in hopes of renting it instead of having to plunk down over $50 for a copy. I asked the owner (who is pretty much a living version of Internet Movie Database), if they had DEAD OF NIGHT (1999), and to my surprise, they had hundreds of movie called “Dead of Night”!

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    Shadowvision: “THE BATTERY”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Gay of the Dead: Maria Olsen, Part Two

    In Part One of my interview with actress/producer Maria Olsen, we touched on what it was like to grow up in South Africa, working on PARANORMAL ACTIVITY 3, and wading into the producing pool. In this second of two parts, we talk about working for Charles Band, The Asylum, and just what it means to date one of the busiest indie actresses working today. 

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    Toys of Terror #25

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Gay of the Dead: Maria Olsen, Part One

    South African-born Maria Olsen may be the busiest woman in Hollywood. Her IMDB listing has twenty-five credits for 2014 and beyond in various states of pre-, post- or current production, in addition to almost 100 previous credits since 2008. She’s appeared in everything from featured roles in movies like PARANORMAL ACTIVITY 3 and LORDS OF SALEM to leads in the upcoming GORE ORPHANAGE and Charles Band’s TROPHY HEADS web series. She’s also taken on producing, with dozens of projects percolating in the indie world. 

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    Shadowvision: “NIGHT OF THE COMET”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Stream to Scream: Robby Henson’s “HOUSE” (2008)

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s available, FANGORIA is taking in-depth looks at some of the channel’s terrifying titles with Stream to Scream. Today: Robby Henson’s psychological creeper HOUSE!

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    Shadowvision: BLUE VELVET

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Barnabas’ Column #16: The Return of Sarah Collins

    The Ghost of Sarah Collins wasn’t on DARK SHADOWS for very long. It was barely a year, yet the sweet little girl with the sad eyes had quite an impact, both on the storyline and in the hearts of viewers. Sarah was the sister of Barnabas Collins. She had died in 1795, at around the age of ten, of a mysterious fever which was part of the curse that had turned her brother into a vampire. That curse had also killed other members of the Collins family.

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