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  • Concert Report: Ace Frehley at Trees, Dallas

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    The lights went down at the Trees Club in Dallas, Texas and the invasion began. Texas was under attack! Ace Frehley’s “Space Invader Tour” had landed and the silvery Space Man from Jendel, now dressed in his undercover civilian attire, began to preach the gospel of Rock-N-Roll to the gathered disciples by way of the sonic barrage from his weapon of choice, the Gibson Les Paul.

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  • Toys of Terror #33

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    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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  • Q&A: “DISCOPATH” and “SILENT RETREAT” Directors Face-Off

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    Black Fawn Distribution is fast becoming the contemporary AIP of the frigid North. To celebrate the recent releases of both Renaud Gauthier’s DISCOPATH and Tricia Lee’s SILENT RETREAT on DVD, the BF braintrusts put the films two directors together to essentially interview one another while FANGORIA eavesdropped. Here are the results…

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  • Frighten Up Your Holidays with New FANGORIA Merch!

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    I think it’s fair to say that the majority of FANGORIA fans are falling on the “Naughty” list this year (and more than likely, for many years before that.) But here at FANGORIA, being naughty is nice, and while you decorate your home with blood red and gruesome green, we’ve decided to stock up with brand new and excellent deals at the FANGORIA store!

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  • EXCL Photos: Skinny Puppy, Live in NYC

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    Veteran industrial/electronic music pioneers Skinny Puppy rolled their Eye vs. Spy Tour (which included fellow groundbreakers Front Line Assembly and newer acts Haujobb and Youth Code) into NYC on December 2nd at the Best Buy Theatre. Frontman Nivek Ogre and aural sculptor cEvin Key blew the crowd away with a conceptual, typically theatrical set of macabre and provoking music and visual and FANGORIA was up front and center to get a glimpse of Ogre’s eerie costumes. 

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  • Waxwork Announces “STARRY EYES,” “PHASE IV” and “NIGHTBREED” Vinyl, Subscription Package

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    Waxwork Records, one of the prominent labels in the current wave of properly reissuing some of the best horror soundtracks on vinyl, have simply by virtue of announcing, properly teased an exciting 2015. In revealing plans for a subscription package, the label has dropped both news and select cover art for upcoming releases of Jonathan Snipes’ pulsing accompaniment to this year’s fantastic STARRY EYES, Danny Elfman’s great NIGHTBREED, the never-before-released PHASE IV and C.H.U.D. 

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  • FANGO Flashback: “The Bloody Best of FANGORIA”

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    FANGORIA has certainly had its fair share of up’s and down’s over the years, but with 35 years and counting, there’s no denying that FANGORIA has earned the right to call itself “the first in fright.” Over those years, FANGORIA has given generations of horror fans the inside scoop on horror films new and old, big and small, gory, creepy, strange and surreal, including exclusive SFX pictures, interviews and more. And today, FANGORIA still stands steadfast among the horror community, giving fright fans in-depth and excellent coverage of all things horror, reviving GOREZONE and finding new, unique ways to spread our wicked wings.

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  • “GONERS #3” (Comic Book Review)

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    With Image Comics’ newest horror endeavor, GONERS, readers are reminded that paranormal hunting can very much be a family friendly affair. Much like the Winchesters from SUPERNATURAL, the Latimer family is never one to shy away from an exorcism or chasing a monster to the ends of the world, offering a comic that is as highly adventurous as it is steeped in mythology. As issue three prepares to hit stands, we see the series really take flight, exploring a bit more of the history of the family while following the mis-adventures of their two youngest practitioners after the death of their parents. With its pop-inspired art style and fantastically timed scares (with the just the perfect amount of quips), GONERS will undoubtedly be the sleeper hit of the new year.

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  • Toys of Terror #32

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    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

    Read more »
  • “GRINDHOUSE: DOORS OPEN AT MIDNIGHT, VOLUME 2” (Comic Review)

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    Comic books and grindhouse films are practically family: with both having been accused of not only corrupting America’s youth but lowering the standards of entertainment as a whole, it would only be a matter of time before these long lost twins would once again cross paths. Enter Dark Horse’s new horror series GRINDHOUSE, an unapologetic kitsch work that bridges the gap between the titans while embracing the exploitative nature of the late 1970’s low budget horror phenomena. While perhaps the not first comic to take the path of “low-brow murder porn,” GRINDHOUSE is one of the few to have done it so well, with some of Dark Horses finest talent adding their own personal touches of the macabre.

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  • Q&A: Leigh Whannell on “THE MULE”

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    Out of all the screenwriters currently working in horror, there’s as few as prolific and busy as SAW/INSIDIOUS scribe Leigh Whannell. With 2 major studio releases hitting next year, Whannell still takes the time out to write, produce and act in several indie projects. And while Whannell has his own words about his upcoming genre releases, he’s relishing a whole different kind of horror in his latest independent film, the Australian crime comedy THE MULE. Whannell recently spoke to FANGORIA about offering a new kind of body horror, returning to his cultural roots and working with his INSIDIOUS co-star Angus Sampson on THE MULE…

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