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    “SWAMP THING, VOL. 2: FAMILY TREE” (Comic Review)

    SWAMP THING has had as many series as the average person has fingers. Currently on its fifth run, the newest addition to the growing mythos has a found a different DC home outside of the Vertigo imprint, this time under the current DC universe, “The New 52.” Thanks to the relaunch, the hulking figure is back in the spotlight, this time with a densely rich world for him to kick ass and take names in.

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    Q&A: Corn on Macabre reflect on horror-themed grindcore and definitive collection, “DISCOGRAPHIC VIOLENCE”

    The late, great Rod Serling-worshipping, H.G. Wells-hyping horror-themed avant grind band Corn on Macabre may have once issued a wonderfully sinister sonic salvo entitled “Shut Up and Play Something Evil,” but it would be a mistake to presume this was a motivational mantra chanted before each practice. “The message definitely wasn’t something that we needed for ourselves,” the band’s former bassist/current Highness guitarist Brent Eyestone tells FANGORIA. “Our collective evil was in tune and finely calibrated before we even got down the steps to the basement.”

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    “MUERTE CON CARNE” (Book Review)

    If you’re like me, you’ve probably been thinking “What the world needs right now is a book that’s like the literary equivalent of THE TEX-MEX CHAINSAW MASSACRE, with a creepy-ass Mexican cannibal family helping account for all those poor illegal immigrants who disappear trying to cross the border, and featuring a deranged maniac in a Luchador mask named El Gigante who likes to wrestle his prey to the mat in a grisly entertainment ritual of thrill-packed culinary prep.”

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    Q&A: Writer Pat Mills on 25+ years of superhero hunting with “MARSHAL LAW”

    Originally launched in 1987, MARSHAL LAW was a gob of spit in the face of superhero comics; a gleefully violent satire of the genre. The titular character was a superhero hunter, a war veteran living in a dystopian future city, tasked with hunting down the array of superpowered criminals and psychopaths created and then discarded by the US Government. In the words of the Marshal: “I hunt heroes. Haven’t found any yet.”

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    Death Waltz announces new LP Art/Screening + Gives Fango an exclusive mixtape

    Presentation is everything, and the UK’s Death Waltz Records—one of our favourite specialists in high-end collectible soundtrack reissues—have reinvigorated some of the genre’s most beloved soundscapes with intricate packaging by an international roster of artists including Graham Humphreys (who designed the UK campaign for RETURN OF THE LIVING DEAD and debuts new artwork for DW’s HOUSE BY THE CEMETERY release exclusively here), Jay Shaw (who designed our eye-popping website header) and Gary Pullin of Rue Morgue fame.

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    “SHOCK TOTEM 6″ (Book Review)

    SHOCK TOTEM is a genuine oddity in the horror/dark fiction field. Not quite a magazine, not quite an anthology series, but quite a bit of both, it’s published semi-regularly in gorgeously-designed trade paperback (and ebook) form. Which is to say, they don’t publish on a tight schedule. They only publish once they think it’s good enough to legitimately share.

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    BioGamer Girl: “ZOMBIE SQUASH” starring George A. Romero now available

    ACW Games has announced the release of ZOMBIE SQUASH (now available for free on Amazon.com, Google Play and iTunes), which stars the iconic director of NIGHT OF THE LIVING DEAD, George A. Romero, as the voice of Dr. B.E. Vil. Players will assume the role of the rabbit Jack Stompingtail and stop the Zombie Squash from taking over the world.

    In this tower defense style game, the evil Dr. B.E. Vil has taken his experiments too far at the Monsterno Corporation and created an army of zombified veggies. As Jack, players can shoot an arsenal of garden ammo to take down the hordes of undead gourds! Gamers can unlock an addictive, survival mini-game with Gamecenter Leaderboards once they have completed the first five levels. Romero summed the game up by stating, “It’s not a game about squashing zombies, it’s a game about zombie squash.”

    ZOMBIE SQUASH, from the mind of Attila Juhasz (owner of ACW Games/Attila’s Creative Works LLC), comes with a rockin’ soundtrack that was written and produced by Roy Z (known for his work with Bruce Dickinson, Rob Halford and Judas Priest). And an amazing theme song written by Juhasz and recorded with guitarist & associate producer Michael Di Paola.

    For more ZOMBIE SQUASH, check out the following links: Google Play/AndroidAmazon Apps for Android and iTunes/iPad.

     

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    “’68: JUNGLE JIM #1″ (Comic Review)

    ’68 has addressed the issues of war in a way many have refused to touch. Mixing the true terrors of the Vietnam battlefront with the inhumanity of the walking undead, the work has upped the horrors of death and isolation in a setting unfamiliar to this generation’s readers. Though it’s not uncommon to find zombies in WWI and WWII in both movies and comics, the Vietnam War seems to be one territory few ever tread; perhaps in respect to the still large population of Vietnam survivors or just in hushed reverence for the fallen troops.’68 takes no prisoners in its raw representation of a military conflict that still haunts many to this day, however. It’s a solid kick to the head to a market heavily saturated in zombie paraphernalia and reminds the reader that even though it’s a work of fiction, the stories it tells are a reflection of a time all too real.

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    MICHAEL SLADE TALKS E-BOOKS AND NEW “SPECIAL X” NOVEL

    Slade (left) with Paul Landers of Rammstein

    It’s no secret that your humble EIC is obsessed by the gritty, fascinating and despicably violent psychosexual novels penned by Canadian literary entity Michael Slade (aka the pseudonym of former Vancouver criminal lawyer Jay Clarke). For over three decades, Slade has been crafting dense, pulp thrillers surrounding the serial killer profiling Special X, an RCMP run outfit that consistently runs afoul of perverse madmen (and women) in classic tomes such as HEADHUNTER, GHOUL, HANGMAN, RED SNOW, DEATH’S DOOR and CUTTHROAT; extensively researched , historically accurate amalgams of high art and exploitative trash.

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