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    Toronto! Horror Punk Bands Rip Open The New Year, FANGO Style!

    If you’re in or around the Toronto area this New Years Eve and are looking to rattle your spine and blow your mind, get thee to The Cage (292 College St.) and damage yourself in style as FANGORIA co-presents a monstrous, moshing bash featuring some of the city’s wildest, weirdest and LOUDEST horror rock, performance art and electropunk bands.

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    Toys of Terror #34

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Event Report: NYC Screening of “POKER NIGHT” with Ron Perlman Q&A!

    Truth be told, there’s nothing quite like FANGORIA’s free New York City screenings. Usually held within intimate art house venues, such as the Cinema Village on East 12th Street, there’s an inimitable sense of excitement that flows through the theaters as audiences prepare themselves for what horrors await. And while FANGORIA has brought stellar guests in previous NYC screenings, there was a heightened nature to this screening of Greg Francis’ POKER NIGHT, as it’s biggest star, genre vet Ron Perlman, would be making a live appearance as well as a post-show Q&A.

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    Q&A: Director Jeremy Berg on “THE DEVICE”

    As many of those familiar with the process knows, independent filmmaking is much like pulling off a magic trick in broad daylight. Without the resources and time suited to your liking, you often turn to your own resourcefulness and imagination to wow the audience.  And the more ambitious your trick may be, the more you’re going to have to fight to create something truly unique. And for director Jeremy Berg, helmer of the alien abduction flick THE DEVICE, there’s few tricks as ambitious as pulling off a convincing extraterrestrial thriller on shoestrings. In a recent chat with FANGORIA, Berg spoke about pulling off THE DEVICE, building backstory and what lies next for the versatile filmmaker…

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    Q&A: Chuck Palahniuk on “BEAUTIFUL YOU”

    Brilliant madman author Chuck Palahniuk (FIGHT CLUB) released his latest opus, BEAUTIFUL YOU, this past October, a twisted tale that follows Penny Harrigan, a low-level associate in a big Manhattan law firm who finds herself a test subject for a line of sex toys to be marketed in a nationwide chain of boutiques called “Beautiful You.” But that’s just the beginning of her story, as Penny becomes an unwitting pawn in a maniacal plot for world sexual domination. Like all of Palahniuk’s stuff, the horror hides in the skin of the surreal and socio-political, and FANGORIA caught up with Chuck to discuss…

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    Ashley Thorpe’s “BORLEY RECTORY” Set To Wrap Campaign

    UK animator and veteran FANGORIA contributor Ashley Thorpe has been steamrolling his Indiegogo campaign to raise the scratch to bring his magnum opus, THE BORLEY RECTORY, to life. With the kindness of strangers as well as fellow UK ghost story enthusiasts Clive Barker, Axelle Carolyn, Neil Marshall, Mick Garris and Neil Gaiman, he’s almost there. And though the campaign closes on December 15th, he’s still looking for a few more shekels to see the flick through.

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    Exodus: “BLOOD IN, BLOOD OUT” (Album Review)

    The first thing that comes to mind when listening to the opening track of Exodus’s new album, BLOOD IN, BLOOD OUT, is, that unlike several of the band’s peers, age has in no way mellowed the band in the slightest. “Black 13” is a crushing example of thrash metal done to perfection, as if the band were frozen in a block of ice in 1987 and then released to terrorize the populace (like Christopher Lee’s Dracula in the beginning of Hammer’s 1968 epic DRACULA HAS RISEN FROM THE GRAVE).

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    “PRETTY LITTLE DEAD GIRLS” (Book Review)

    Even judged by the ridiculously high bar that Mercedes M. Yardley set and reset via a quick succession of gorgeous, perception-altering releases—BEAUTIFUL SORROWS (2012), APOCALYPTIC MONTESSA AND NUCLEAR LULU: A TALE OF ATOMIC LOVE (2013), NAMELESS: THE DARKNESS COMES (2014)—the rising “dark whimsy” author’s latest, PRETTY LITTLE DEAD GIRLS, serves up a particularly delectable, eccentric feast of inspiring, soul-walloping lyrical beauty in the form of a genuinely affecting outsider love story. 

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