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    BBC’s Zombie series “IN THE FLESH” hitting U.S. this June

    In February we got glimpses of IN THE FLESH, a UK series with a zombie protagonist preparing to re-enter the world at large. Now, as is often the case, the show will hit our shores via BBC America this June.

    In what looked especially interesting as a decently fresh take on a decidedly not-so-fresh subgenre, IN THE FLESH’s outbreak is referred to as PDS (Partially Deceased Syndrome). “The series follows 18-year-old Kieren Walker (Luke Newberry), a PDS sufferer who, now treated with the medication Neurolax, is deemed ready to return to his parents’ home in the small village of Roarton. Since the passing of the PDS Protection act, the government has set an agenda of acceptance and tolerance, one that is at odds with the communities abandoned at the time of The Rising, and the bloody battle between zombies and humans that ensued. A cauldron of brutal anti-zombie sentiment boils in Roarton, the home of the ‘rotter’ hating Human Volunteer Force (HVF). Can Kieren’s neighbors forgive him for what he did in his untreated state? More importantly can Kieren forgive himself?”

    IN THE FLESH is set to premiere in miniseries form on Thursday, June 6 at 10 p.m. You can see a trailer above.

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    Watch: “SIMON KILLER” director’s new horror short/ad “THE RED”; Excl comments

    Produced by Borderline Films, that which comprises MARTHA MARCY MAY MARLENE director Sean Durkin, AFTERSCHOOL/SIMON KILLER director Antonio Campos and director Josh Mond, this short psychological thriller from the young filmmakers currently owning the psychological thriller is something of a PSA.

    Teased just a few weeks ago and now online in full (above), THE RED was actually produced in conjunction with SS+K, a New York ad agency working with SALT, a debt management program from American Student Assistance looking to ease the massive stress that befalls an increasing number of graduating students.

    Having tackled ads before, Campos tells FANGORIA, “SS+K approached us through Station Films, who represents us for commercials. It was much bigger than anything we’ve done in terms of commercial. It was also a tricky one because it is a PSA for all intents and purposes, but because of the nature of the campaign where that wasn’t supposed to be known until the very end, all the aspects that were part of the ‘message ‘had to be dealt with carefully.”

    Credited as a whole to Borderline, Campos adds, “For this one, I directed, but Sean and Josh were part of the development and edit and would come to set. We have an organic way of working together. If we’re doing a commercial, we are all involved creatively, but do not all have to be on set. When it comes to commercials, it has always been either one or two of the three of us take the directing reigns. We had Andrew Marcus editing whose lists of features is strong, and it was really a pleasure and education working with him.”

    For more on THE RED, especially if you have mounting anxiety over debt, visit Face The Red.

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