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    NY! Tomorrow night, see “KISS OF THE DAMNED” w/ director Q&A for free

    You’ll want to see Xan Cassavetes’ sultry, bloody and Euro-reminiscent vampire feature on the big screen and if you’re in NYC, we can certainly accommodate. Tomorrow night, the film screens with Cassavetes in attendance and Magnolia Pictures and Fango have tickets for five readers and their guests!

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    “THE MACHINE” (Tribeca Movie Review)

    Some films just look cool. Caradog James’ future-set cold war tale THE MACHINE is massively so. From an aesthetic standpoint it is slickly designed and beautiful on what’s surely a modest budget. Temperature-wise, it exists in a seeming eternally harsh space of overcast skies, nighttime and enormous, often barely-holding up warehouses and labs. Star Caity Lotz is fluid and incredible in her movement. But what’s truly coolest is the ensuing warm, radical spirit that reveals itself throughout it all.

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    Like FANGORIA Presents on Facebook!

    Fango is well into the premiere volume of our brand new FANGORIA Presents series, neat little tales of terror from around the world that span slashers, hauntings, ghouls and more. There’s a lot going on with the first five—INHUMAN RESOURCES, AXED, ENTITY, SIN REAPER and GERM Z—from VOD and DVD debuts, to interviews and clips hitting Fango and a host of other sites and we’ve now created a space on Facebook to keep you updated on all of it. 

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    “DARK TOUCH” (Tribeca Movie Review)

    In DARK TOUCH, European director and provocateur Marina de Van transfers her now recurring theme of identity crisis and unsure footing from grown women to a young girl still in pre-pubescence. It’s this pre-pubescence that’s taken terrifying advantage of; the repercussions of which manifest themselves in a fury of psychic power and telekinesis. Of course, CARRIE will be and is a touchstone for many in the case of this Ireland-set horror story, but whereas that tale explores the fear of oncoming womanhood, DARK TOUCH is an unnerving look at it forced on someone far, far too young.

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    Mood Lighting: Five films to prime you for “THE LORDS OF SALEM”

    THE LORDS OF SALEM is both undoubtedly a Rob Zombie film and yet something of a departure. Aesthetically more mannered and surreal, the director brings his assuredness to what amounts to a less gritty, more heightened and composed peer into evil and a groundswell of negative energy. It’s lush and stylish and all of the similar sounding words that describe a trippy lightheadedness best experienced on as big a screen as possible.

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    “ZOMBIELAND” TV trailer reintroduces the rules; Pilot online now

    Are you ready to return to Tallahassee? Or Wichita, Columbus and Little Rock for that matter? ZOMBIELAND writers Rhett Reese and Paul Wernick, who originally conceived the 2009 horror/comedy as a television series have brought that concept to fruition. Amazon’s new original content venture produced the prospective series, who’s fate you’ll just have a say in.

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