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    “DARK TOUCH” (Tribeca Movie Review)

    In DARK TOUCH, European director and provocateur Marina de Van transfers her now recurring theme of identity crisis and unsure footing from grown women to a young girl still in pre-pubescence. It’s this pre-pubescence that’s taken terrifying advantage of; the repercussions of which manifest themselves in a fury of psychic power and telekinesis. Of course, CARRIE will be and is a touchstone for many in the case of this Ireland-set horror story, but whereas that tale explores the fear of oncoming womanhood, DARK TOUCH is an unnerving look at it forced on someone far, far too young.

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    Mood Lighting: Five films to prime you for “THE LORDS OF SALEM”

    THE LORDS OF SALEM is both undoubtedly a Rob Zombie film and yet something of a departure. Aesthetically more mannered and surreal, the director brings his assuredness to what amounts to a less gritty, more heightened and composed peer into evil and a groundswell of negative energy. It’s lush and stylish and all of the similar sounding words that describe a trippy lightheadedness best experienced on as big a screen as possible.

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    “ZOMBIELAND” TV trailer reintroduces the rules; Pilot online now

    Are you ready to return to Tallahassee? Or Wichita, Columbus and Little Rock for that matter? ZOMBIELAND writers Rhett Reese and Paul Wernick, who originally conceived the 2009 horror/comedy as a television series have brought that concept to fruition. Amazon’s new original content venture produced the prospective series, who’s fate you’ll just have a say in.

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    EXCLUSIVE “FRESH MEAT” clip is Going Somewhere

    Regarding FRESH MEAT, MEET THE FEEBLES’ co-writer Danny Mulheron’s latest, the term “cannibal comedy” should have most Fango fans on board. But if you need a little extra incentive, our exclusive clip—with its New Zealand accents, rifle brandishing, short shorts and gentleman wrapped in a sleeping bag repeatedly run over—should give you a pretty good idea of the gonzo tone in store.

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    Lesbian Necrophilia, Violent Hemorrhaging warns “HEMLOCK GROVE” Red Band Trailer

    Netflix’s original programming and their all-in-one-day approach is about to get good deal gory and a good deal sudsy. Based on the novel from Brian McGreevy and produced, shepherded and partly directed by Eli Roth, HEMLOCK GROVE—as evidenced in its red band preview—revels in all manner of small town illicit deeds.

    HEMLOCK premieres this Friday, April 19; optimal placement for weekend gorging on this tale of the eccentric residents of a dilapidated former Pennsylvania steel town and the murder of 17-year-old Brooke Bluebell.  Through the investigation, the town’s seamier side, including werewolves and bio-experiments, is exposed, revealing nothing is what it seems.

    I’ve seen two episodes so far, and the above footage is a pretty accurate look at the fun to expect. I’m all in what’s clearly both TWIN PEAKS-inspired and a product of post-AMERICAN HORROR STORY TV. This is bloody, soapy, hammy all-over print horror. There’s a review forthcoming, and I’m looking forward to setting aside more than a few hours to catch the rest.

     

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    Great poster for Bobcat Bigfoot movie, “WILLOW CREEK”

    Bigfoot is poised to be back in a big way. BLAIR WITCH’s Eduardo Sanchez is currently finishing his EXISTS and now longtime comedian and WORLD’S GREATEST DAD and GOD BLESS AMERICA director Bobcat Goldthwait is unleashing his own take on the legend. That film, WILLOW CREEK has garnered something real special from frequent Mondo collaborator Alex Pardee. 

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