• Return To “THE DEVIL’S CARNIVAL,” See The Trailer for “ALLELUIA”

    In 2012, director Darren Lynn Bousman and his REPO! writer Terrance Zdunich embarked on a truly admirable indie endeavor. In crafting a 55-minute horror musical entitled THE DEVIL’S CARNIVAL, the two then took their show on the road, adopting a traveling self-distribution model that boasted the film, live performances, intimate Q&As and more. Bousman and Zdunich had amassed a devoted cult with their first scaresong (THE GENETIC OPERA) and here, they were bringing the art directly to them. No surprise then, what seemed to be so fulfilling has garnered another go. 

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  • “THE WOMAN IN BLACK” Casts a Shadow in Official Sequel Poster

    The concept for the upcoming WOMAN IN BLACK sequel, ANGEL OF DEATH is delightful in a sinister way. As we’ve seen, the vengeful entity takes her wrath out on children, often possessing them to do frightful things to themselves. With that established, the WWII-set follow-up proceeds to then fill her haunted Eel Marsh House with children. Splendid. See one such child in her shadowy sights on the official poster, below.  

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  • “BONE TOMAHAWK”: Kurt Russell Rides Horse, Fights Cannibals, Warms Hearts

    Kurt Russell has one hell of a 2015 on the docket. He’ll appear in the highly anticipated seventh film of the increasingly wonderful FAST & FURIOUS series, as directed by James Wan (INSIDIOUS). He’ll also return to the western, re-teaming with Quentin Tarantino on THE HATEFUL EIGHT and having just completed the subject at hand: a horror-western entitled BONE TOMAHAWK. 

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  • Your (Sort Of) First Look at the “YOGA HOSERS”

    Though it’s the first official production still, you likely got your first introduction to Kevin Smith’s YOGA HOSERS in Kevin Smith’s TUSK. There, Smith’s daughter Harley Quinn (left, above) and Johnny Depp’s daughter Lily-Rose (left, above) appeared as a pair of convenience store clerks highly unamused by Justin Long’s highly unamusing podcaster protagonist. The two return for YOGA HOSERS, in a larger co-starring capacity, to team with Depp’s rubber-nosed man hunter Guy LaPointe (also of TUSK) and take on an “ancient evil.” 

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  • Art, Tracklist, Date: John Carpenter’s Highly Anticipated “LOST THEMES”

    John Carpenter is a master, both of cinema and of the score. His themes are iconic and endlessly influential, hallmarks and originators of a beloved style of composing as well as catchy as all hell (ASSAULT ON PRECINCT 13 practically loops in many of our heads). It was understandable then when admirers across fandoms and professions (fans, filmmakers, musicians) lit up upon the news of an impending new album from the artist. Entitled LOST THEMES, and arriving this winter from Sacred Bones Records, the album was described as tracks composed by Carpenter without any films in mind and the news of which was accompanied by stellar song “Vortex” and a collage video set to Carpenter clips. Following a weekend to digest and groove comes the full details on LOST THEMES. 

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  • Short: Nathaniel Lindsay’s Monstrous Yuppie Satire, “GREEN EYED” Now Online

    As the window between theatrical, VOD and Netflix Instant grows shorter with stunning rapidity (see: MOCKINGBIRD), the transition from festival play to online debut for a short film can be anyone’s guess. Oftentimes, film festivals require the short not be widely available, which can leave myself excited for a wide viewership to see a thrilling piece of work, but completely unsure of when they can. For instance: GREEN EYED. Nathaniel Lindsay’s slick satire of the monstrous, consuming, selfish nature of yuppiedom was one of my favorite shorts of 2013, playing the likes of Fantastic Fest and more. After a successful fest run, GREEN EYED has hit online in full for you to groove, laugh and cringe. 

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