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    Eli Roth: Little Trouble in Big China

    Since the launch of his viral marketing campaign for THE LAST EXORCISM, which favored post-viewing tweets from horror fans over professional critical consensus, Eli Roth’s philosophy as a producer has championed the democratization of film spectatorship. That attention to a multiplicity of voices has informed the bulk of his moviemaking process as well, including his stint co-writing and producing RZA’s directorial debut THE MAN WITH THE IRON FISTS (out on theatrical-cut and unrated DVDs and Blu-ray/DVD combo from Universal Studios Home Entertainment today). Fango spoke with Roth about the ins and outs of that process during his work in China for RZA’s dream project, and the themes and cultural influences that pervade his filmography.

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