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    Sidesplitters: “WORKAHOLICS” actor Anders Holm on “ECHO ISLAND” and “CANNIBAL FEROX”

    Horror and Comedy go together like masks and murderers, as both set out to evoke reactions from even the most immovable of audiences. Therefore, it’s no surprise that so many funnymen are ardent fright fans. In our new column, Sidesplitters, FANGORIA chats with comedians who love horror as much as they love humor.

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    Shadowvision: “TWILIGHT ZONE: THE MOVIE”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Toys of Terror #7

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Q&A: Fede Alvarez on “FROM DUSK TILL DAWN: THE SERIES” and “DANTE’S INFERNO”

    One of the defining aspects of the original FROM DUSK TILL DAWN was how each half of the film being the polar opposite from the other. While the first section is a talky and intense fugitive film, the second becomes a brutal battle between men and vampire. And while FROM DUSK TILL DAWN: THE SERIES made sure the vampire elements were present from its premiere forward, the real bloody action once again went down in The Titty Twister.

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    From the FANGORIA Vault: “CABIN FEVER”

    The weather is getting better and better here at the FANGORIA vault, and the rising heat is turning this place into a hotbed of horror. As our collection of Yeti thaw from their wintry chambers to wreak havoc upon us all, we’re starting to plan our own summer getaways to literally get away. Luckily for us, our frantic efforts to salvage what we can have led us to a collection of cool, creepy pictures from Eli Roth’s vicious vacation flick, CABIN FEVER!

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  • Stream to Scream: “ENTER NOWHERE”

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s available, FANGORIA is taking in-depth looks at some of the channel’s terrifying titles with Stream to Scream. Today: Jack Heller’s twisty thriller ENTER NOWHERE.

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    “ESCAPE FROM TOMORROW” (Blu-ray Review)

    Even preceding release from distributor PDA, ESCAPE FROM TOMORROW was already cemented in pop culture as the first fictional feature shot in a Disney Amusement Park without permission. It seemed a testament to the extent of digital guerrilla filmmaking, but conversations about the film itself came second to those surrounding the legality of its production. Considering the trippy and off-putting territory the film dives into, it’s easy to see why.

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    True Grue: The Bloody Murder of Benjamin “Bugsy” Siegel

    Welcome to FANGORIA’s first installment of “True Grue,” a weekly article that dives into real life harrowing horrors. For the interest of good taste, this graphic feature aims not to be exploitative, but rather informative, and rest assured, there are many different territories that will be strictly off-limits. But for those with a hungry mind and a strong stomach, read on at your own discretion…

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    Shadowvision: “THE FLY” (1986)

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

    Read more »
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    Exclusive Texas Frightmare Q&A: Robert Patrick

    Genre-friendly actors are far too often typecast, capitalizing on their animated brand of villainy as to keep work as steady as possible. Once a performer breaks out of such however, there’s a certain freedom in the limited roles that don’t inhibit creativity and ambition. Perhaps it’s this reason why Robert Patrick, whose villainy played out in front of millions in TERMINATOR 2, was able to find such success by exploring his possibilities where you’d least expect it.

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