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    Q&A: Sid Haig, on working with Bill Moseley

    With our current issue (#331, on sale here) focusing on the work and acting style of the one-and-only Bill Moseley, FANGORIA knew that our commemoration would not be complete without a chat with a member of his most sinister cinematic family, the Firefly’s. With a little bit of luck, Fangoria heard back from none other than the clown prince of horror, Sid Haig, who offered a brief insight into his relationship on, and off, screen with Bill Moseley.

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    From the FANGORIA Vault: Joe Dante’s “PIRANHA” (1978)

    With this polar vortex nearly out of sight here at the FANGORIA archives, things are finally starting to heat up. Granted, we may be just inches above a highly combustible boiler room, but I digress. The good news is that we’re finally uncovering the corpse-infested archive swimming pool, and a very fitting selection of stills floated to the surface from Joe Dante’s PIRANHA!

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    Stream to Scream: “BEREAVEMENT”

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s in store, FANGORIA will be taking in-depth looks at some of the channel’s terrifying titles with this newest feature, Stream to Scream. First up: Stevan Mena’s demented BEREAVEMENT.

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    From the FANGORIA Vault: “PUMPKINHEAD”

    Is there anything as exciting as stumbling upon an unexpected treasure? Over here at the FANGORIA Vault, we think so, especially considering the numerous cobwebs and skeletal remains we’ve swatted through over the years. Of course, sometimes “treasure” can also be an understatement, like in the case where we discover a gallery of amazing and rare stills from the set of the late, great Stan Winston’s PUMPKINHEAD!

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    Shadowvision: John Carpenter’s “THE THING”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Q&A: Director John Schneider talks Bill Moseley and “SMOTHERED”

    In celebration of our current Bill Moseley-centric issue, FANGORIA reached out to John Schneider, who recently worked with the actor in a role you may not expect him to play: a horror acting icon! Schneider, of DUKES OF HAZZARD and SMALLVILLE fame, recently wrote and directed SMOTHERED, in which Moseley plays an alternate version of himself who joins a private haunt for an easy payday, only to come face-to-face with a hellbent, beautiful real-life psychopath.

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    Q&A: Tom Holland talks “TWISTED TALES”

    From TALES FROM THE CRYPT to MASTERS OF HORROR, there are few filmmakers who can deliver an anthology story as effectively as writer/director Tom Holland. From FRIGHT NIGHT to CHILD’S PLAY, Holland is a versatile voice within the horror genre, bringing his trademark dark sense of humor and his penchant for practical effects to his many directorial efforts. And with his latest project, FEARNET anthology web series TWISTED TALES (on DVD now from Image Entertainment) Holland works outside of the constraints of time limits and content restriction to bring his clever and chilling work to a new generation of horror fans. Holland spoke to FANGORIA about his latest TWISTED TALES and updates on his long-brooding adaptation of Stephen King’s THE TEN O’CLOCK PEOPLE…

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    Fango Flashback: “STARSHIP TROOPERS” (1997)

    Following TOTAL RECALL, Paul Verhoeven’s career explored a strange and unexpected path, as the director experienced his greatest financial success back to back with his most marring critical and financial failure. In the wake of the latter, Verhoeven went returned to genre territory, optioning a script from his ROBOCOP collaborator Ed Neumeier entitled BUG HUNT AT OUTPOST 9 and refashioning it with elements from Robert Heinlein’s STARSHIP TROOPERS. A loose adaptation at best, Verhoeven saw the potential in another science-fiction satire and pursued it head-on, now with cutting-edge digital FX, an estimated budget of $105 million and a repertoire of both new and old collaborators at his disposal.

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    Q&A: Billy Zane on Horror Roles Past and Present

    Whether it be as ruthless, manipulative villains or as handsome, smooth-talking protagonists, there’s few actors who bring as much natural charisma and dedication to their genre roles as Billy Zane. After capturing the attention of international audiences with his turn in DEAD CALM, Zane has proven himself to be a universal asset to multiple genre productions, whether it be a comic turn such as TALES FROM THE CRYPT: DEMON KNIGHT or more esoteric and mysterious like TWIN PEAKS. As his reputation as a solid genre performer continues to grow, Zane spoke to FANGORIA about his past horror successes as well as what dark corners he just might explore further down his career trajectory…

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