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    30 for 31: “ARE YOU AFRAID OF THE DARK?”

    The Season of the Witch is upon us, ye ole FANGORIA Readers! And to many, Halloween means candy, costumes and creepshows of all sorts. But to the staff at FANGORIA, Halloween can mean something more entirely. Therefore, we present 30 FOR 31, in which FANGORIA recounts the cinema that most strongly represents what Halloween means to us.

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    Toys of Terror #23

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    30 for 31: “THE HOWLING”

    The Season of the Witch is upon us, ye ole FANGORIA Readers! And to many, Halloween means candy, costumes and creepshows of all sorts. But to the staff at FANGORIA, Halloween can mean something more entirely. Therefore, we present 30 FOR 31, in which FANGORIA recounts the cinema that most strongly represents what Halloween means to us.

    Read more »
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    30 for 31: “NIGHT OF THE CREEPS”

    The Season of the Witch is upon us, ye ole FANGORIA Readers! And to many, Halloween means candy, costumes and creepshows of all sorts. But to the staff at FANGORIA, Halloween can mean something more entirely. Therefore, we present 30 FOR 31, in which FANGORIA recounts the cinema that most strongly represents what Halloween means to us.

    Read more »
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    Shadowvision: “THEY LIVE”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

    Read more »
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    Q&A: Katie Cassidy on “THE SCRIBBLER”

    It’s an exciting landscape these days in independent filmmaking. Thanks to advances in digital filmmaking, more ambitious yet reasonably affordable films are being greenlit every day. Yet in these films, not only do we get to meet new, resourceful filmmakers but we  get to see more established actors experiment with their craft as well.

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    Colin Farrell Confirms “TRUE DETECTIVE” Season Two Role!

    When HBO’s TRUE DETECTIVE launched earlier this year, few (including FANGORIA) could have predicted just how far into genre territory the series would venture. In fact, many horror fans have praised the season finale of TRUE DETECTIVE as one of the best hours of horror television this year, standing among horror procedurals such as SILENCE OF THE LAMBS and SE7EN. And with the series adopting the “seasonal anthology” format, speculation has run wild with where the series can go from here and if we should expect that genre element to return.

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    Toys of Terror #22

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

    Read more »
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    FANGO Flashback: “DEAD SILENCE”

    For contemporary horror fans, the career of James Wan has been particularly interesting. After catapulting onto the radars of genre audiences everywhere with 2004’s SAW, the fillmaker was set back by two successive box office failures in 2007, which floundered his career until 2011 low budget hit INSIDIOUS. With 2013’s massive THE CONJURING, the redemption story goes a little farther with the upcoming Wan-produced prequel, ANNABELLE. After all, Wan looks to propel the very subgenre that nearly ended his relationship with horror seven years prior: doll horror.

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    Shadowvision: “THE WICKER MAN” (1973)

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

    Read more »
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