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  • Caption Contest Results: 09/07 – 09/11

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    FANGORIA fanatics! If you’re one of the thousands who follow us on Twitter, you’re likely familiar with our daily Caption Contests! Now, due to the overwhelmingly positive response, we’re highlighting the best entries of the week for the world to see! So without further ado…

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  • Crossing Over: M. Night Shyamalan’s “UNBREAKABLE”

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    Welcome, FANGORIA Readers, to CROSSING OVER, our newest column that highlights the films, series and content out there outside of horror that is fashioned towards or pays tribute to our beloved genre. By shining a light onto these projects, FANGORIA hopes to open a world of entertainment perfect for fright fans that lies just beyond the borders of the horror community. So without further ado…

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  • “THE PURGE 3” Adds “FINAL DESTINATION”, “LOST” Vets; Grillo & Hodge to Return

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    While the INSIDIOUS and SINISTER franchises might be on ice (for the time being), Blumhouse still has their fair share of sequels on the way, including OUIJA 2, PARANORMAL ACTIVITY: THE GHOST DIMENSION and THE PURGE 3, the next chapter in James DeMonaco’s dystopian horror series. Now, with the film nearing a shooting start date to make it’s July 1st, 2016 release date, THE PURGE 3 has started drafting participants for the next night of madness, including a pair of familiar faces.

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  • Mile High Horror Film Festival ’15: Individual Tickets Now On Sale; More Screenings, Panels & Award Winners Announced!

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    With less than a month until the 2015 edition of Mile High Horror Film Festival, which takes place from October 1st to October 4th, haunts the Alamo Drafthouse Littleton in Colorado, FANGORIA has been extremely proud to provide fright fans with the first word on the genre going-ons at the esteemed event. This week, FANGORIA has even more exciting news and announcements, as well as horror hound’s first opportunity to buy individual tickets!

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  • Lovechild Pictures to release Glass Eye Pix’s “AUTOMATONS” on VHS!

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    Whether you goddamn streamers like it or not, the past is here to stay in one form or another. With vinyl back on the rise and the collector’s market becoming more valuable to niche distributors, it’s no wonder that even VHS is getting in on the nostalgic action. Case in point: the newly-established Lovechild Pictures is doubling down on limited-run VHS releases, beginning with James Felix McKenney’s sci-fi flick AUTOMATONS.

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  • Exclusive Motion Poster Premiere: “PONTYPOOL” Director Bruce McDonald’s “HELLIONS”

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    After PONTYPOOL hit the horror scene like a ton of bricks in 2008, the film established director Bruce McDonald as a talent to watch outside of his native country of Canada. And now, McDonald has returned once again with another high-profile festival favorite, as his latest film HELLIONS prepares to take TIFF by storm. Written by Pascal Trottier (one of the scribes behind A CHRISTMAS HORROR STORY and DARKNET) and starring Chloe Rose (DARKNET), Rossif Sutherland (DEAD BEFORE DAWN) and genre vet Robert Patrick, this creepy Halloween-set flick, which is set to bow stateside soon from IFC Midnight, has gotten the TIFF motion poster treatment that FANGORIA is proud to exclusively premiere below!

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  • Toys of Terror #69

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    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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  • FANGORIA Podcast Network: New Episodes of “THE HORROR SHOW” and “THE RANTS MACABRE” Are Here!

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    After their introduction on the FANGORIA Podcast Network last week, THE HORROR SHOW and THE RANTS MACABRE are back for more! Continuing their discussions on monster movies and Hammer Horror, respectively, you can check out the latest episodes of THE HORROR SHOW and THE RANTS MACABRE below…

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  • Event Report: “ALLELUIA! THE DEVIL’S CARNIVAL” Roadshow in NYC!

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    Make no mistake: fans of THE DEVIL’S CARNIVAL are the real deal. Arriving nearly an hour before doors were supposed to open, I discovered a line that went around a building and, knowing that reaching the box office would be a futile effort, found a spot among the crowd. About 15 minutes later, the line pulled around the corner, revealing an even longer line in the pit near the entrance of the Beekman theater. Fans were in costume, many more adorning DEVIL’S CARNIVAL apparel and all of whom seemed to be buzzing with excitement.

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  • FANGORIA Podcast Network: Tune in to “MONSTER PARTY”, Sci-Fi Villains Edition with comedian Fred Belford!

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    As many great villains as the horror genre has given us over the years, this writer feels its fair to say that science fiction has delivered equally good- if not better– maniacal madmen over the years. While longtime STARLOG readers can attest to the lasting power of Khan Noonien Singh, Darth Vader and Roy Batty, there are many more sci-fi villains that film fans know and love, and there are even some that we love to hate. And on this week’s edition of MONSTER PARTY, our heroic hosts and writer/comedian Fred Belford take on the best (and worst) villains in sci-fi history!

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  • Week of Wes: “THE HILLS HAVE EYES PART 2”, “VAMPIRE IN BROOKLYN” & “CURSED”

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    Though his track record is far from perfect, there’s not a single ounce of this writer that believes Wes Craven would purposefully craft a bad film. Out of the many horror filmmakers from throughout the years, there’s few that came under studio scrutiny as much as Craven, and even fewer that had bona fide hits beforehand as well. And Craven, for all of his exploration of fear and dread, was not a filmmaker simply mesmerized by horror: he wanted to find a richer idea among the terror, even if it was ambitious beyond the means of his budget.

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  • “THE CURSE OF DOWNERS GROVE” (Film Review)

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    Bret Easton Ellis is such a curious case when it comes to his art, especially considering his admirable consistency when it comes to his content. Ellis is an expert purveyor of brilliant trash, most of which exist somewhere between questionably tasteful melodrama and flat-out misanthropic exploitation. But Ellis, even through his peaks and valleys, remains steadfast in his refusal to compromise his envelope-pushing work, even if it were for his own good, such as in the case of Derick Martini’s THE CURSE OF DOWNERS GROVE.

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