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    “LOCKER 13″ (Movie Review)

    Anthology films often have a higher potential as entertainment, as a bad anthology may still be creatively wealthy or have solid segments to counteract other weak entries. Alternately, a good anthology contains enough surprises, finesse and variety to keep the audience engaged and thrilled from start to finish. Best of all, the low-budget of each segment poses a challenge to the filmmakers to operate in specific confines and often offers cinematic voices at their most raw.

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    Stream to Scream: “THE EVIL DEAD’

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s in store, FANGORIA will be taking in-depth looks at some of the channel’s terrifying titles with this newest feature, Stream to Scream. This week: Sam Raimi’s seminal, scary THE EVIL DEAD.

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    Shadowvision: “VACANCY”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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    Q&A: Kurt Angle, on “PRO WRESTLERS VS. ZOMBIES”

    Ever since the zombie culture craze inspired dozens of filmmakers to pitch their own contribution to the genre, horror fans have seen their fair share of insane zombie mash-ups. Yet few have as much cross-genre appeal as PRO WRESTLERS VS. ZOMBIES, which pits a band of professional wrestlers against a horde of the undead in an abandoned prison. Mixing the supernatural with dark comedy and action, the film brings in some recognizable faces from across the world of wrestling, including Matt Hardy, Shane Douglas, THEY LIVE’s Roddy Piper and DYLAN DOG: DEAD OF NIGHT’s Kurt Angle.

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    Q&A: Lloyd Kaufman and the cast of “RETURN TO NUKE ‘EM HIGH”

    What do you call a comeback for something that never really went away in the first place? That’s the question inadvertently asked by RETURN TO NUKE ‘EM HIGH, VOLUME 1 when it skyrocketed Troma into the pop culture lexicon once more. Despite always having worked as a distribution entity as they bring their films into the digital age, it’s been the better part of a decade since Troma has brought their unequivocal brand cinematic terrorism to theaters.

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    Toys of Terror #1

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Eduardo Sanchez Takes a “Mistress,”; On Directing TV and “FROM DUSK TILL DAWN: THE SERIES”

    To re-animate FROM DUSK TILL DAWN for the small screen, Robert Rodriguez has carefully chosen what hands would craft his beloved property. Aside from helming the first two episodes himself, Rodriguez acquired a rogues gallery of extraordinary Latino filmmakers, matching each director with their thematic strong suit. For instance, while the first episodes hold true to Rodriguez’s aesthetics, the bloodiest episode comes from EVIL DEAD (2013)’s Fede Alvarez and the most character-driven episode to date comes from BLAIR WITCH mastermind Eduardo Sanchez.

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    Q&A: Sid Haig, on working with Bill Moseley

    With our current issue (#331, on sale here) focusing on the work and acting style of the one-and-only Bill Moseley, FANGORIA knew that our commemoration would not be complete without a chat with a member of his most sinister cinematic family, the Firefly’s. With a little bit of luck, Fangoria heard back from none other than the clown prince of horror, Sid Haig, who offered a brief insight into his relationship on, and off, screen with Bill Moseley.

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    From the FANGORIA Vault: Joe Dante’s “PIRANHA” (1978)

    With this polar vortex nearly out of sight here at the FANGORIA archives, things are finally starting to heat up. Granted, we may be just inches above a highly combustible boiler room, but I digress. The good news is that we’re finally uncovering the corpse-infested archive swimming pool, and a very fitting selection of stills floated to the surface from Joe Dante’s PIRANHA!

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    Stream to Scream: “BEREAVEMENT”

    As many fright fans already know, FANGORIA offers a great selection of gruesome movies, old and new, for free at our Hulu channel. To give you a better idea of what’s in store, FANGORIA will be taking in-depth looks at some of the channel’s terrifying titles with this newest feature, Stream to Scream. First up: Stevan Mena’s demented BEREAVEMENT.

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    From the FANGORIA Vault: “PUMPKINHEAD”

    Is there anything as exciting as stumbling upon an unexpected treasure? Over here at the FANGORIA Vault, we think so, especially considering the numerous cobwebs and skeletal remains we’ve swatted through over the years. Of course, sometimes “treasure” can also be an understatement, like in the case where we discover a gallery of amazing and rare stills from the set of the late, great Stan Winston’s PUMPKINHEAD!

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