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    Toys of Terror #5

    Welcome to TOYS OF TERROR, Fango’s weekly feature exhibiting the coolest horror accessories across the web. Whether you’re a collector, connoisseur or simply making your love of horror a family affair, these petrifying playthings are likely to impress even the most heartless horror fan. So if you’re searching for a ghoulish gift, look no further…

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    Exclusive Q&A: Directors Keshales & Papushado on “BIG BAD WOLVES”

    After an impressive festival run in 2013 and the declaration from Quentin Tarantino as “the best film of 2013,” BIG BAD WOLVES finally unleashed it’s unique brutality on American audiences back in January. Now, with the film hitting DVD/Blu-ray today from Magnet Releasing, directors Aharon Keshales and Navot Papushado spoke to Fango about what influenced BIG BAD WOLVES and where their relentless sensibilities may take them next…

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    Q&A: Madison Davenport on “FROM DUSK TILL DAWN: THE SERIES”

    Currently six episodes into its first season, FROM DUSK TILL DAWN: THE SERIES has become a major talking point for horror fans. Robert Rodriguez’s vision for the series has subverted expectations and spawned one of the more exciting horror programs currently on television. Yet for every Robert Patrick and Jake Busey, Rodriguez’s vision also includes several up-and-coming actors, including Madison Davenport who now fills the shoes of Kate Fuller.

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    From the FANGORIA Vault: “THE TEXAS CHAINSAW MASSACRE 2″

    Hello again, dearest fright fanatics! Welcome back to the FANGORIA vault, where we’re in the middle of some extensive spring cleaning. After all, if we don’t get the skeletons out of the cobwebs, who will? And as with all spring cleaning, you’re eventually going to find something valuable among the mountain of trash. This year is certainly no exception, as we happened upon a batch of incredibly awesome and rare stills from Tobe Hooper’s THE TEXAS CHAINSAW MASSACRE 2!

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    Up to Snuff: Why ‘Found Footage’ is Good for Horror

    There’s an undeniable stigma that accompanies the term “found footage.” After effectively phasing out the reign of “torture porn,” these first person frighteners redefined the face of studio horror, thanks to consistently low budgets and easy-to-market visuals. Yet, as with any in-vogue subgenre, the sheer amount of found footage films has left many horror fans jaded, a sentiment only increased by the questionable quality of several offerings.

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    “WILD AT HEART” (Blu-ray Review)

    As a filmmaker who provokes curiosity and emotion through visually stunning narratives, David Lynch’s films are always thrilling to rediscover via high definition. With its last domestic release currently out of print on DVD, specialty distributor Twilight Time stepped up to the plate for the Blu-ray of one of Lynch’s most entertaining and colorful films, WILD AT HEART. With only 2 other Lynch films formally released on that format in the U.S. (BLUE VELVET and DUNE) and select Lynch works unavailable on any medium, this limited edition print is surely on every collector’s shopping list.

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    “Pro Wrestlers vs. Zombies” (Film Review)

    In the world of genre film, there’s a seemingly constant discussion about the validity of “fun” as a means to excuse poor filmmaking. Speaking in a narrative sense, there is admittedly leeway in terms of logic and execution with horror films even if the story comes first and foremost. When a film hinges so much on this perspective however, a certain amount of desperation permeates and criminally depreciates the fun factor.

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    Caption Contest Results: 4/14 – 4/18

    FANGORIA fanatics! If you’re one of the thousands who follow us on Twitter, you’re likely familiar with our daily Caption Contests! And now, due to the overwhelmingly positive response, we’re going a step further and highlighting the best entries of the week for the world to see! So without further adieu…

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    Shadowvision: “A NIGHTMARE ON ELM STREET”

    Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black-and-white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

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