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    Toronto: Top Five Flicks to Catch at Blood in the Snow 2013

    The second year of fledgling Canadian horror film festival BLOOD IN THE SNOW is upon us, running from Friday November 29th – December 1st in Toronto at the legendary Carlton Cinemas, nestled beside the now dormant Maple Leaf Gardens. The event is co-sponsored by FANGORIA, Anchor Bay Canada and endorsed by the Toronto International Film Festival. Within, there are plenty of diverse indie Northern fright features (and a cavalcade of dynamic shorts) to choose from in the lineup, but we’ve whittled the long list down to five of our favorites.

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    Toronto: Win Tix to See “MY FAIR ZOMBIE” at the Revue!

    If you like Rex Harrison musicals – and really, who the hell doesn’t? – and flesh-eating ghouls and have always dreamed of combining the two into one far-out flick, then Canadian filmmaker Brett Kelly’s toe-tapping, stomach churning romp MY FAIR ZOMBIE is for you. After taking big brass at the Buffalo Dreams Fantastic Film fast earlier this month, Kelly’s putrid Pygmalion is making its way to the legendary Revue Cinema for its Toronto premiere and FANGORIA has tickets to smack you with.

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    Cronenberg Burlesque! Videos, Photos, Tassels!

    Last month, in the midst of prepping our David Cronenberg special edition magazine, we reported on an unusual event in the form of MISS ROSE’S DAVID CRONENBERG BURLESQUE, part of the celebrated and saucy Burlesque performer’s larger show, the Philadelphia-based MISS ROSE’S SEXPLOITATION FOLLIES. In the piece, most of the New Flesh overlord’s filmography was re-interpreted for the arse and tassels set.

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    Excl Photos: Roger Corman in Conversation at BFI

    On October 25th, the BFI (British Film Institute) welcomed the one and only filmmaker, producer, director, mogul, mentor and media personality Roger Corman as a special guest, as part of their “Gothic: The Dark Heart of Film” series. In front of a packed room, Corman talked about his craft, his life, his times and philosophies with another legend, writer and genre scholar Kim Newman.

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    Toronto! Meet Eugene “Big Daddy” Clark at the Toronto Zombie Walk “Fiendraiser” Party!

    FANGORIA and the Blood in the Snow Film Festival are teaming up to lend a hand to the inimitable Toronto Zombie Walk with a blow-out post-Xmas, pre-New Years zombified dance party “fiendraiser,” and we have a very special guest to oversee the action and serve as our guest of honor….

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    “CINEMA DETOURS” (Book Review)

    If I may graphically illustrate, I read Mike White’s CINEMA DETOURS in the bath. In the grind of my life, the sanctity of hot water and suds is the only place my eyeballs can peacefully absorb any written word not penned by myself or a Fango freelancer, and I value this time greatly. It’s sacred. I use the visual of yours truly nude and immersed in a tub because while digging into DETOURS, I stayed in till the bitter end, until the water was a tepid stew of body broth and I was as wrinkled as one of the LIFEFORCE cadavers. I finished the damn thing in one session. I couldn’t stop reading it. It’s that good.

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    From the Editor: GOREZONE too hot for Canada!

    To our Canadian readers: It has come to our attention that our first triumphant issue of GOREZONE—#28, continuing the original run’s lineage—has been tardy in getting to our Canadian readers. In fact, in many cases, the magazine has yet to arrive up north at all. The reason? Apparently, GOREZONE is too much for the Mounties!

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    Bolivia-Based Maverick Amy Hesketh Goes Indiegogo for Kinky Vampire Flick

    FANGORIA #323 saw us shine a light on a filmmaker named Amy Hesketh, an ex-Pat American who has become a sort of feminine Jess Franco in Bolivia, where she’s producing challenging, visceral, unflinching dark dramas and horror films (like the hypnotic BARBAZUL/BLUEBEARD, which just screened at the PollyGrind festival in Las Vegas) primarily for the Latin market, made in collusion with her partner, filmmaker/actor Jac Avila. Hesketh is so dedicated to her brand of art that she often literally puts herself in harm’s way to achieve the maximum psychosexual/visceral effect.

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