It has been three years since Takashi Shimizu stood beside a film camera and worn his directorial hat—literally. Eschewing the black leather cap that was seemingly glued to his head throughout the production of the Japanese JU-ON and American GRUDGE movies that made his name, Shimizu is not only sporting new headwear for his newest feature, but is also shooting with a new, custom 3-D digital system, the first for such a production in Japan.

